Woman dog walker, city street
The young dog walker attracted much attention from the passersby on Fifth Avenue, just as this woman is doing here.

The Dog Walker: “The girl was apparently having more fun out of the walk than the dog, who did not seem to be enjoying himself particularly. That was not surprising, for what respectable and self-respecting hunting dog would like to be obliged to trot along Fifth Avenue every morning with an attendant to give him the exercise he could give himself so much better if he were only allowed the privilege?”–New York Times, January 15, 1899

During the late 1800s and early 1900s, it was perfectly normal to see the high-society ladies or their attendants walking their lap dogs down Fifth Avenue or through Central Park. It was not normal, however, to see a girl of the lower classes walking a large dog down Millionaire’s Row.

The first dog walker of New York had an Irish setter as her first customer.

One rainy Friday morning in January 1899, a young girl wearing a grey suit, with the skirt at ankle length, attracted every passerby as she “seemed to take in what was apparently a morning constitutional.” Although there was a constant drizzle falling–half rain and half sleet–she carried no umbrella. All she carried was a leash, to which a handsome Irish setter was attached.

Approached by a curious reporter for the New York Times, the young dog walker explained that she was getting paid to walk the dog. The reporter did some investigating into this curious new dog walker career.

According to the reporter, a woman of means had walked into the the Exchange for Women’s Work on Thirtieth Street and asked the manager, “Haven’t you some one on your books I can get to exercise my dog for me?”

The manager was no doubt thrown off by the question, because up to that point, the “work” that was sold at the Exchange was typically handiwork such as crocheted shawls and knitted sweaters. Never before had someone requested a professional dog walker to exercise their pups.

Around the same time, the young girl registered at the Exchange for Women’s Work in order to find employment while she waited for a “regular profession” that she was expecting to start in the spring. The manager told her that there was in fact an opportunity if she would be interested in walking other women’s dogs. The young woman accepted the dog walker job.

The Times reporter concluded:

“Now the young woman’s mornings are all engaged wandering up and down Fifth Avenue exercising society pets for the sum of $10 a month for an hour a day and $6 for half an hour a day. It is a good thing for the young woman, it is a blessing for the dogs, as it is the best thing they can get inside the city limits, and it is a great satisfaction to the fond owners of the dogs. So there is a new profession, and at least one woman is helping to support herself by means of it.”

Dog Days of Gotham: Free Virtual Tour

Speaking of dogs: Just a quick reminder that on Saturday, May 7, at 11 a.m., I will be leading a virtual presentation for the Municipal Art Society of New York called “The Dog Days of Gotham.” 

During the 40-minute Zoom presentation, I will talk about four of my favorite high-society dog owners of the early 20th century–a time when lap dogs were as much a status symbol for wealthy socialites as were their diamonds and furs.

Registration for this free event is required in advance. To register, Click Here.

A Brief History of New York’s Exchange for Women’s Work

Undated photo, Women’s Exchange of St. Louis

The Woman’s Exchange Movement in the United States began in 1832, when the Philadelphia Ladies’ Depository was first established. New York’s Exchange for Women’s Work opened its doors in May 1878.

Exchanges were non-profit establishments usually founded by wealthy philanthropic women to help women in need earn a living without having to leave their homes. The women sold their embroidery work, quilt work, and other handmade items–or offered sewing and knitting services–to wealthy woman who patronized the exchanges.

In New York City, textile designer Candace Wheeler and philanthropist Mary Atwater Choate wanted to help middle-class widows who had lost their husbands during the Civil War support their families. Back then, social standards dictated that middle- and upper-class women who worked outside the home would lose their social status. This cruel social norm left women with no choice: either lose their position in society or let their families slip into poverty.

Candace Wheeler - Wikipedia
Candace Wheeler

Mrs. Wheeler and Mrs. Choate each gathered some wealthy women friends, who invited a few more friends, and after “much doubtful discussion,” decided to give their idea a shot. Their idea was to “furnish a depot where gentlewomen in reduced circumstances may find customers for useful and ornamental articles of their own handwork.” Women of means could also place orders “for any variety of work” with “persons competent and anxious to fill them.”

The first home of the New York Exchange for Women’s Work was in the Choate parlor at 108 East 31st Street. On the first day, the exchange started with one table of articles, including “crocheted tea cozies, ‘God-Bless-Our-Home’ samplers, stiff, unprickable pincushions, and pictures painful to the eye of the beholder.” According to the Brooklyn Daily Eagle, the one article that saved the day was a beautiful white shawl.

History - Choate Rosemary Hall | Private Boarding & Day School
Mary Atwater Choate

By April 1893, the Exchange had grown out of the rooms it was renting at 329 Fifth Avenue. They were too small, and there was no room to add an educational department, so the managers wanted to raise $200,000 to buy a building of their own.

During a fund-raising event at Madison Square Garden II, Joseph Hodges Choate, United States Ambassador to the United Kingdom, provided a simple way to raise the money while stressing that there was not one man in the audience who could ever know how soon his wife or daughter could one day “be reduced to the circumstances of those beneficiaries for which this society has been organized”:

“The managers of this exchange now ask that the people of this city, who can afford it, shall provide them with a building where they can properly conduct their work. It’s an easy matter for this audience to raise $200,000. I see before me men who could raise it alone. I would say to the managers, however, pick out your millionaires, there are said to be 1,200 of them in this city.

Their money is corrupting them and their families all the time, and no one knows it better than they do. Each one of you pick out your millionaire, take him by the throat, and ask him for his money. Don’t approach him through his wife…Let them go down in Wall and Broad and New Streets and in all the streets where great piles of money walk around on two legs in human form and ask for what you want.”

Take them by the throat? Talk about putting your money where your mouth is!

The Exchange for Women's Work at 12 East 30th Street. NYC Department of Records, 1940 tax photo
The Exchange for Women’s Work at 12 East 30th Street. NYC Department of Records, 1940 tax photo

Apparently, the plan worked. By the summer of 1894, the Exchange for Woman’s Work had moved into its new four-story home at 12 East 30th Street.

Items for sale that opening week included “pincushions and the daintiest of toilet articles, pretty China and embroidered old linen, exquisite large screens, and any number of things.” There was also a lunchroom which served luncheon every day except Saturday from noon to 3 for “little theatre parties, ladies out shopping, and occasionally a man or two.”

The Exchange continued to grow–it even offered a finishing school for young women, with a focus on history, literature, and reading. Over the years, the Exchange moved several times, from a four-story home at 334 Madison Avenue in 1901, which they purchased from the Carey family to a large, five-story building at 541 Madison Avenue with a large restaurant on the ground floor.

The restaurant offered such diverse items as bittersweet chocolate cake and home-baked crab cakes, codfish balls and fancy wedding cakes. It was a place to eat well and be seen at a moderate cost. 

When it closed in 2003 due to the high rent and overhead costs, the Exchange was located at 149 East 60th Street. According to the New York Times, during its final days, there was a blue crocheted shawl and framed needlepoint art of a lighthouse, two white hand-knitted baby sweaters, and a handful of cream-colored antique bowls on display in the front window.

There was no dog walker or doggie in the window. (Perhaps if there were, someone would have asked, “How much?”)

The Exchange for Women's Work at 541 Madison Avenue. NYC Department of Records, 1940 tax photo
The Exchange for Women’s Work at 541 Madison Avenue. NYC Department of Records, 1940 tax photo

Mrs. Patrick Campbell and Pinky Panky Poo
Dog Days of Gotham Virtual Presentation
Mrs. Patrick Campbell and her monkey griffon, Pinky Panky Poo, paved the way for the first doggie day care center.

Saturday, May 7, 2022
11:00 a.m. EST

On Saturday, May 7, I will be leading a virtual presentation for the Municipal Art Society of New York called “The Dog Days of Gotham.” The presentation will be one of hundreds of virtual and guided tours that will take place the weekend of May 6-8 as part of Jane’s Walk NYC. Link to register is below.

During the 40-minute Zoom presentation, I will talk about some high-society pet dogs of the early 20th century, a time when lap dogs were as much a status symbol for wealthy socialites as were their diamonds and furs.

Join me as I share four of my favorite stories of wealthy and eccentric women of the Gilded Age and the dogs they adored. Hear about:

  • The monkey griffon that paved the way for doggie day care and the Plaza Hotel’s open pet policy
  • The French poodle with a $1 million dog yard on Fifth Avenue
  • The pampered French bulldogs that lived with a princess at the Gilsey House
  • The princess who lived at the Plaza Hotel with her pet dogs, alligators, bear cub, and lion cub


Registration for this free event is required in advance. To register, go directly to the link below (Click on The Dog Days of Gotham).

Jane’s Walks are organized by a network of city organizers around the world. Jane Jacobs (1916-2006) was a writer, urbanist, and activist who championed the voices of everyday people in neighborhood planning and city building. Jane’s Walk is a community-based approach to city building that uses volunteer-led tours to make space for people to observe, reflect, share, question, and re-imagine the places in which they live, work, and play.

I am available for virtual author events across the United States and for
in-person presentations in the New York City metropolitan region (including northern New Jersey and the Hudson Valley). If your organization or library is interested in hosting a program, please contact me at pgavan@optline.net. Click here for more information.

Pansy the cat-saving fire dog receives her free SPCA dog license following her first rescue.
Pansy the cat-saving fire dog receives her free SPCA dog license from Special Agent George J. Salzer following her first rescue. NY Daily News, May 3, 1931.

In the mid 1930s, Engine Company 203 in Brooklyn had a veteran cat-saving fire dog that rescued several felines during his long career. For his heroics, “Nipper” received four commendations.

Nipper was not the only cat-saving fire dog who received rewards. A few years before this popular dog made his saves, Pansy of Engine Company 225 on Liberty Avenue in Brooklyn was rewarded for making her first rescue in May 1931—she raced into a burning building and chased out a cat.

Pansy was attached to the Liberty Avenue police station, but she ran to all the fires with Engine 225.

Although Pansy officially belonged to Police Emergency Squad 14 attached to the Liberty Avenue police station (the men had found her almost dead the previous summer and used an oxygen tank to revive her), the dog was a fire buff who answered all alarms with the nearby firehouse.

Following the cat rescue, Special Agent George J. Salzer of the S.P.C.A. presented Engine 255 Captain John H. Doherty with a free license for Pansy. The men told the press, “When there are more and better rescues to be made, Pansy will make them.” 

Another cat-saving fire dog was Happy, who was attached to Engine 36 on Park Avenue two decades earlier.

Happy was attached to Engine 36, which was then located at 1849 Park Avenue.
Happy was attached to Engine 36, which was then located at 1849 Park Avenue.

On February 26, 1910, the East Harlem company responded to a fire in an apartment on the top floor of a tenement building at 2162 Fifth Avenue. During the fire, which was caused by an overturned oil lamp, Happy ran into the building with the firemen. He seized a Maltese cat by the nape of its neck and carried it outside.

About five hundred people, kept back by the reserves of the West 126th Street police station, cheered when the dog placed the cat on the sidewalk. According to the men, the cat had protested vigorously at first, and even scratched Happy on the nose, but the dog overlooked this indignity as he carried out his duties.

Back at headquarters, Happy reportedly refused to confirm or deny this part of the story. The cat did not confirm or deny overturning the lamp that started the fire.

These are President Coolidge's cats, Blackie and Tiger, but they very well could have been the cats of Fire Patrol 3.
These are President Calvin Coolidge’s cats, Blackie and Tiger, but they very well could have been the cats of Fire Patrol 3.

There was a deep gloom pervading the quarters of Fire Patrol 3 on West Thirtieth Street in August 1915. As the New York Sun noted, “If it were not for the absence of crape on the door, a visitor would be led to believe that the company had just lost its most popular member. The firemen move about without animation; their fighting spirit, developed through constant battle with fire and smoke, has disappeared.” 

The reason for the despair was that Fire Patrol 3 was soon to lose its two beloved feline mascots. 

The New York Fire Patrol was a paid fire salvage service organized and funded by the New York Board of Fire Underwriters to protect and preserve property and life during and after fires. Although not officially affiliated with the FDNY, the men worked alongside the city’s firemen and took orders from the FDNY commanding officer. Patrolmen were private civilians, but they were also firefighters trained in the art of salvage, forced entry, and overhaul. 

Fire Patrol 3 was formed in 1894, with headquarters at 240 West Thirtieth Street, located in the crime-ridden Tenderloin district. The new four-story patrol house, which opened on September 10, 1895, featured stalls for five horses on the ground floor, a dormitory on the second floor, a large billiard room and sitting room on the third floor, and workshops and supply space on the top floor. 

An elevator was in the rear of the building for passengers and freight. Behind the station was a two-story brick stable with feed rooms and a hayloft. This building had two box-stalls with a thick flooring of Irish peat, where the horses could recover from the long, hard runs.  

Fire Patrol FDNY 1908
Members of the Fire Patrol stood out from the regular fireman by their bright red helmets. Their well-equipped vehicles carried a 16-foot extension ladder, chemical extinguishers, hooks, axes, door-openers, brooms, shovels, buckets, ropes, and various other tools. Museum of the City of New York

Five years after their new house opened, the patrolmen were still without a mascot. They wanted one, but they did not want a canine mascot. As a salvage corps, the men of Fire Patrol 3 had an immense territory to cover—from river to river and from 14th Street to 57th Street—which made it impractical for them to have a dog trained to follow the apparatus to fires.

The home of Fire Patrol 3 at West Thirtieth Street. NYC Department of Records, 1940.
The home of Fire Patrol 3 at West 240 Thirtieth Street. NYC Department of Records, 1940.

So, when the opportunity to acquire a proper mascot presented itself at a fire at Seventh Avenue and Twenty-Eighth Street in October 1900, the men acted immediately.

According to the story, the men were working on an upper floor when they came upon two kittens on a rear fire escape. The kittens had been abandoned by the tenants in their flight to escape the burning building.

Being trained not to take anything from a fire scene that had an owner, the men tried to find the owners of the kittens. When no one came forward to claim the cats, the men adopted both. They named the tiger-striped kitten Bouncer and the coal black kitten Nellie.*

Bouncer was the more intelligent cat, although Nellie was also a smarter cat than most. Four months after moving into the patrol house, Bouncer had mastered the fire pole, wrapping all four paws around it before making his descent. When it came to the landing, he outdid every member, striking the rubber mat “as gently as an autumn leaf landing on the turf.”

Nellie’s specialty was riding to fire calls, curled up in one of the unused fire helmets.

Three years after Bounce and Nellie moved in, the men took on a pet goat named Willie, who lived with the horses in the stable. Willie got into some chaotic trouble in February 1903 when he took advantage of an open stable door and went on a half-hour romp along Fifth Avenue.

First, he charged at some young boys who were throwing snowballs at him and knocked one boy down. Next, he ran under carriages and several horses, who were not used to seeing goats running loose on Fifth Avenue. He also knocked a few pedestrians down.

Today, the home of Fire Patrol 3 is TwoFortyThirty, a private venue and shared creative space
Today, the home of Fire Patrol 3 is TwoFortyThirty, a private venue and shared creative space. Click on the link for a short video with interior photos. I think cats would love it!

As a crowd of cab drivers and small boys with sticks and snowballs chased him, he ran north to the Waldorf-Astoria, knocking down one of the hotel porters. Eventually he made his way back to the stable. As the New-York Tribune noted, “No one had been seriously injured.” 

Sadly, by 1915, Willie was no doubt gone and the fifteen-year-old cats were blind and could no longer care for themselves. The thirty-two members of the salvage corps decided it best to put the two cats out of their misery in the most humane way possible. And so, they assigned Captain Jimmy Rice the job of sending for the ASPCA wagon to take them away to a painless death.

Everyone hoped they would not be on duty when the wagon called. Captain Rice told the press that when he signed the death warrant for Bouncer and Nellie, he would not sign his own name. He would only sign “Patrol 3. Commander Officer.”

Additional stories about Bouncer and Nellie will be featured in my upcoming book, The FDNY Mascots of Gotham, coming out next year.

*Nellie was not the cat’s actual name. Like many all-black animals of the nineteenth and early twentieth centuries, her given name is now an offensive ethnic slur.

Following the birth of Tige's kittens near the fingerprint room, a detective at NYPD Police Headquarters paw-printed each one.
Following the birth of Tige’s kittens near the fingerprint room, a detective at Police Headquarters paw-printed each one.

On the morning of October 17, 1936, about 200 detectives, incidental police officials, and subjects in attendance for the daily line-up at the NYPD police headquarters on Centre Street were delayed 42 minutes. The cause of the delay was a green-eyed cat named Tige, a tabby cat with white markings who had given birth to quadruplets near the fingerprint room earlier that morning.

Tige had joined the NYPD a few months earlier in July 1936, displacing Inky, a previous headquarters cat. Inky, who allegedly spent most of her time brooding and emptying the inkwells, slunk away in a fit of jealousy when the expectant mother cat came under Commissioner Lewis Joseph Valentine’s jurisdiction.

Tige, after all, received much more attention than the do-nothing police cat. Even the police reporters, who camped out across the street from the NYPD headquarters, found time to buy hamburgers for Tige.  

240 Centre Street 
NYPD Police Headquarters
Tige gave birth at the NYPD headquarters building at 240 Centre Street. The monumental Beaux-Arts style building, which opened in 1909, featured a grandiose entrance hall and such amenities as a basement shooting range and printing center, carpeted offices for the commissioner and officers on the second floor, third-floor library, fourth-floor gymnasium with drill room and running track under the roof dome, fifth-floor radio broadcasting station and telephone exchange (formerly a telegraph bureau), and even a rooftop observation deck. As The New York Times wrote, “its grandeur contrasted utterly with the little buildings and crooked streets around it.”

It was a few hours before dawn when NYPD Detectives Charles Harson and Sam Samuelson were poring over the morning’s fingerprints, which were being prepared for line-up. Hearing mewing sounds coming from behind a door leading to the fingerprint room, they left their work to investigate. About 40 minutes later they returned to report that Tige had given birth to four kittens.

 NYPD Chief Inspector John A. Lyons
Chief Inspector John A. Lyons called for an investigation into the missing files.

When Assistant Chief Inspector John A. Lyons reached the office later that morning and did not see the usual sheaf of fingerprint sheets, he knew that the duplicate copies for the presiding officers would also be missing. He asked his personal aide, Acting Captain Arthur De Voe, and Inspector Joseph Donovan, head of the Bureau of Criminal Investigation, to look into the matter.

The investigators found Harson and Samuelson working overtime at their desks, trying to prepare the sheath of fingerprint files. At 9:42 a.m., precisely, the daily line-up was under way. One day after the kittens’ birth, a detective recorded their paw prints on official NYPD fingerprint sheets in the fingerprint room.

The question is: I wonder if Tige and her kittens got along with Homicide, the flat-footed feline who moved into the police headquarters building in 1934? (For all we know, Homicide may have even been the father of these kittens!)

In 1973, the New York City Police Department moved out of Tige’s former home and into One Police Plaza, a red-brick box on Park Row near City Hall and the Brooklyn Bridge. The glorious old headquarters building sat empty for years until finally, in 1983, the city accepted the proposal of developer Arthur Emil to turn it into luxury condominiums. Emil paid the city $4.2 million and spent another $20 million on renovating the building.

Today the building has 55 high-end condos, including one of the most unique residences in New York City: the 10-room apartment in the former gymnasium. Click here to see a short video of the 5,500-square-foot penthouse apartment in the central clock tower where Calvin Klein once lived. All that’s missing are a few police cats and kittens.

Following the birth of Tige's kittens near the fingerprint room, a detective at NYPD Police Headquarters paw-printed each one.
Numerous newspapers across the country published photos of Tige’s kittens being paw-printed at NYPD Police Headquarters.