The following dog story of Old New York, taken from the pages of the New York Times and an old book published in 1922 (Dog Heroes of Many Lands by Sarah Nobel Ives) is about a fireman named James MacMurray and his life-saving fire dog, Robert Bruce. Despite countless hours of searching, I cannot determine which midtown (I assume) engine company they were assigned to. Perhaps someone can help me solve this mystery…

Robert Bruce MacMurray of Engine Company ?
Robert Bruce MacMurray of Engine Company ?

When James MacMurray left his position as herdsmen of a large New Jersey stock farm in 1893 to become a member of the New York Fire Department, he brought along his constant companion, Robert Bruce, a well-trained black and tan “sheep dog.” The two-year-old collie was trained to herd sheep, so he had a lot to learn about herding fire horses in city traffic.

“You’ll not find a better,” the tall, red-headed man told the captain of the engine company. “Bruce has been with me upwards of two year, and a finer herder you’ll not find in New Jersey.”

It took him some time to get used to the noise and traffic, but pretty soon, Robert Bruce MacMurray was an official FDNY fire dog. Every evening he sat with the men in their sitting room on the top floor of the engine house, where they would tell stories, read, or play cards. He’d also help out to make sure the horses were properly rubbed down, groomed, and fed each day.

Robert Bruce always slept at the foot of MacMurray’s bed, and when the fire alarm clanked out its warning, he was down the stairs before the fastest fireman could slide down the pole. He would go to all the fires and gallop under the engine. Swift of foot and sure of eye, he never got in the way of firemen’s feet or horses’ hooves.

Twice during his first winter with the FDNY, Robert Bruce was responsible for saving lives. In the first incident he saved the lives of his beloved fire horses, and in the second event, he came to the rescue of his loving master.

The William Campbell Paper Factory Fire

New York World, October 19, 1893
New York World, October 19, 1893

At approximately 8 p.m. on October 18, 1893, James Sexton, a watchman for the William Campbell paper factory on 41st Street and 10th Avenue, was on one of the upper floors of the eight-story brick building when he saw flames coming from the adjacent Nevius & Haviland wall-paper factory.

Soon the fire spread to Campbell’s factory, causing Sexton to lose consciousness near a door on the ground floor. Fortunately, a police officer also saw the flames and was able to drag Sexton out the building before pulling the fire alarm.

Flames were bursting from the windows of both factories by the time the first of many fire companies arrived. In their rush and excitement, the firemen of Robert Bruce’s company forgot about the horses. Even fireman Pete Tinkum, who drove the engine that night, did not notice that the fire was beginning to spread at the corner of the block where his horses stood.

In addition to their factory on 41st Street and 10th Avenue, William Campbell also had a factory in Hackensack, NJ.
In addition to their factory on 41st Street and 10th Avenue, William Campbell also had a factory in Hackensack, NJ. This building later became a grocery store called Packard Bamburger or Packard’s’s for short.

Since it was the dog’s job to stay with the engines during the fires, Robert Bruce was the first to notice the horse nearest the flames succumb to the heat and collapsed.  He jumped from firemen to fireman to get their attention, but they were too occupied to pay the dog any mind. Finally, he jumped on Pete, who followed the frantic dog to the engine and saved the other horses just in time before they also suffocated.

William Campbell Wallpaper Company, where Robert Bruce MacMurray saved the fire horses.
The William Campbell Wallpaper Company occupied #514 to #520 West 42nd Street and #503 to #517 on West 41st Street between 10th and 11th Avenues, as noted on this 1885 map. Notice the large Consolidated Gas Company gas tanks to the left. The Grand Street Horse Car Depot, where a large fire took place five years earlier, was also nearby.

Bruce’s second heroic feat came soon after the factory fire, during a smoky fire at a tenement house on 20th Street. This fire filled the building with dense smoke, which made it very difficult for the firemen to find and rescue those residents who stayed inside and didn’t climb down the gutter spouts, hurl themselves from windows into nets, or fall to their deaths.

A tenement fire on Second Avenue is depicted in this 1869 image. New York Public Library Digital Collections
A tenement fire on Second Avenue is depicted in this 1869 image. New York Public Library Digital Collections

James MacMurray and his partner, Fireman Cummings, were groping their way along the hallway of a second-floor landing when MacMurray grabbed for a broken railing. Unbeknownst to Cummings, MacMurray stumbled and fell, landing under a staircase, where he lay barely conscious, stunned, and alone.

When they realized he was missing, Captain Warner and Cummings started searching through the building, but they couldn’t find him. They were just about to go for a ladder to get into the third floor when they heard Bruce barking inside. The dog appeared at the door and led the men to James.

The Livery Fire of 1899

Robert Bruce MacMurray’s greatest save came during the Great Blizzard in January 1899.

Following a day of constant alarms, another alarm for a fire at a large livery stable near Madison Avenue came in just after the men had finally gotten to bed. Because of the extreme cold and dangerous ice conditions, MacMurry ordered Robert Bruce to “bide at home.”

But the fire dog could not stay back and miss the action, so he took off after the engine. MacMurray spotted him on the fire scene, but he was too busy trying to put out the fire and save the 35 horses inside to reprimand his dog.

Robert Bruce MacMurray saved 20 horses from a large livery stable, like this one on 42nd Street and 7th Avenue
The livery fire took place in a large stable like this one, which was located in present-day Times Square at 42nd Street and 7th Avenue.

With the water freezing as soon as it sprayed from the hoses, the firemen knew they could not save the barn. So instead, they focused on leading the horses out of the burning building one by one. Panic seized the horses as they were led out, and they all returned to the stables, where the smoke was too dense for the firemen to rescue them again.

Suddenly, the former sheep-herding dog ran into the flames. “Hold your wits and look!” MacMurray told the worried men.

“Look, man, don’t you see the bonny laddie? He’s herdin’ them! He’s a herdin’ the horses like sheep, and they dare not disobey. He’s bitin’ their heels now. Look how they mind him!”

As a large crowd of firemen and civilians watched in awe, Bruce kept biting at them, jumping on them, and nipping at them to keep the horses from returning to the stable. The horses ran down the street toward Madison Avenue until Bruce herded them onto another side street. He held them against the wall of a brewery until the stable hands were able to lead them to shelter in other stables.

That evening, Robert Bruce MacMurray saved the lives of 20 horses.

The following week a delivery truck arrived at the firehouse with a package addressed to Robert Bruce MacMurray.

Inside was a leather box lined with satin that held a magnificent dog collar with a plate of solid gold tacked onto it that read: “Robert Bruce MacMurray, The Fire Dog, In grateful remembrance of services rendered on the night of January 27, 1899. From (owner) to the dog who saved the lives of twenty horses.”

If you enjoyed this tale, you may enjoy reading about the cat-saving fire dog of Brooklyn’s Engine Company No. 203.

 New York Times, 1916

Here’s a short little ditty about Mr. and Mrs. Payne Whitney that you can add to your New York City history trivia collection. It will give you a fun story to tell while you’re walking past the Whitney mansion on Fifth Avenue at 79th Street…

On January 27, 1916, Mrs. Payne Whitney hosted a food bazaar in her home for the benefit of the Social Service Department of the New York Hospital (today’s New-York-Presbyterian Hospital). All types of “appetizing viands” were offered for sale, including fruits “arranged in the cubist effect” by artist Arthur Bowen. Davies.

According to The New York Times, in addition to the food, the event featured plenty of music–“the barnyard sort”–which seemed to please the large crowd in attendance. The performers, who were kept among the rare Italian statuary and tapestries in the red and gold drawing room, included pedigreed puppies and kittens, all placed in kennels in the corner of the room.

Designed by Stanford White in 1902 and completed in 1906 shortly after White’s murder, the Fifth Avenue mansion was built for the Payne Whitney family as a wedding gift from Payne Whitney’s uncle, Oliver H. Payne. Museum of the City of New York
Designed by Stanford White in 1902 and completed in 1906 shortly after White’s murder, the Fifth Avenue mansion was built for the Payne Whitney family as a wedding gift from Payne Whitney’s uncle, Oliver H. Payne, for financier, philanthropist, and sportsman Payne Whitney and his wife Helen Julia Hay Whitney, a poet and patron of the arts. Museum of the City of New York

There were also crates of Japanese chickens and Leghorns, and a lone suckling pig that grunted contentedly all afternoon. The pig was reportedly owned by young John Hay “Jock” Whitney, who brought the pig from the family’s 438-acre estate, Greentree, in Manhasset, Long Island. The women adored the little pig, and called him “the pig in the parlor.”

William C. Whitney's Fifth Avenue Drawing Room
The kittens, puppies, chickens, and pig were all on display in one corner of the Payne Whitney drawing room. This is a photo of the William C. Whitney drawing room at 871 Fifth Avenue, but we can use our imaginations and make believe this is his son Payne’s drawing room at 972 Fifth Avenue.
The pig lived at the Whitney's 438-acre estate, Greentree, on Long Island.
The pig lived at the Whitney’s 438-acre estate, Greentree, on Long Island.

During the event, Mrs. Whitney sold 500 copies of her cookbook, which she had compiled for the occasion. The book comprised old-fashion English recipes and valuable information for housewives.

One of the many recipes in Mrs. Payne Whitney's cookbook.
One of the many recipes in Mrs. Payne Whitney’s cookbook.
Kittens and Puppies for Sale?

Although The New York Times does not mention why Mrs. Whitney had all the animals in her home, an article in the New York Herald in 1921 makes me suspect that the animals were sold to help raise additional funds for the hospital charity. In 1921, young girls, including the Whitney daughters, sold animals at Mrs. Whitney’s house to raise money for the Milk Fund.

Helen Hay Whitney lived in the Fifth Avenue mansion until her death on September 24, 1944, at New York Hospital. The government of France acquired the property in 1952.

Payne Whitney House
  Today it is the home of the Cultural Services of the French Embassy in the United States; it also houses a French-language bookstore called the Albertine.

October 7, 2020: 6 PM (ET)

The Dog Days of Gotham Virtual Event for Dog Lovers
A virtual presentation for all dog lovers and New York City history buffs!

Back by popular demand for the dog lovers and the cat people who also love dogs!

In the late 1800s and early 1900s, Pomeranians, terriers, bulldogs, and other small breeds were extremely popular with socialites of the “fairer sex” and starlets of stage and screen. Pet dogs were as much a status symbol for these wealthy ladies as were their diamonds and furs. Many women of the Gilded Age loved their dogs more than they loved their children or husbands.

Join me and the Boonton Holmes Public Library on a virtual tour of Old New York as I share fascinating and hilarious stories of wealthy and eccentric women and the pampered pooches they adored. Hear about:

Meet Aimee Crocker, a wealthy heiress who enjoyed collecting things, including bulldogs (at least 25) and husbands (5).
Dog Days of Gotham Virtual Event
Meet Aimee Crocker, a wealthy heiress who enjoyed collecting things, including bulldogs (at least 25) and husbands (5).
  • The spoiled monkey griffon responsible for America’s first doggie day care at the Plaza Hotel
  • The French poodle with a $1 million dog yard on Fifth Avenue
  • The terrier that inspired Margaret Wise Brown’s last children’s picture book
  • The pug reportedly buried with her humans at Green-Wood Cemetery—and more!

Fun for dog lovers and New York City history fans alike!

TO REGISTER: This is a free event. To get your personal Zoom link, send an email to registrations@boontonholmeslibrary.org and put “Dog Days” in the subject line. You will then get the link and code to use on the day of the presentation. If you don’t receive a code from the library, please contact me on the day of the event and I can share my code with you.

Author Events

I am available for virtual author events across the United States and in-person presentations in the New York City metropolitan region (including northern New Jersey and the Hudson Valley). If your organization or library is interested in hosting a program, please visit my Author Events page for more information.

Tuesday, September 22, 2020, at 7 p.m. (ET)

Amazing Animals of Old Queens Virtual Presentation

Join me and the Greater Astoria Historical Society for a free, one-hour virtual tour of Old Queens. I will take you back in time to explore the history of Queens via amazing stories about cats, dogs, elephants, and other animals that made the newspaper headlines in the 1800s and early 1900s.

Hear about…
• The pig that dug up a pot of gold in Sunnyside
• The ten elephants that escaped from the Ruhe Wild Animal Farm in Woodside
• The squad of Long Island Railroad canine detectives who used their noses to bring more than 100 criminals to justice
• The jet-setting feline mascot for the TWA pilots at the brand-new
La Guardia Airport
• The circus tiger that escaped and was captured in a backyard on
Woodside Avenue
• The tiny Pomeranian who stopped an Astoria BMT train on the tracks during rush hour

Register Today

To register for this free event, please send an email to info@astorialic.org with “Animals” in the subject line. On the day of the event you will receive a link at about 6 p.m. to join us on Zoom.

Author Events

I am available for virtual author events across the United States and in-person presentations in the New York City metropolitan region (including northern New Jersey and the Hudson Valley). If your organization or library is interested in hosting a program, please visit my Author Events page for more information.

Cats in the Mews: September 16, 1910

Cats Wanted for Manhattan Opera House.
Cats Wanted for Manhattan Opera House.

On September 16, 1910, The New York Times ran a small article about a want-ad soliciting 300 cats for performances at the Manhattan Opera House on 34th Street. The stage director would accept all cats–with or without stage experience–to take part in the production of “Hans, the Flute Player.”

The comedic opera was going to be the opening act for Oscar Hammerstein’s newly branded venue on West 34th Street.

According to a full review of the play in The New York Times, “Hans, the Flute Player” is set in the imaginary village of Milkatz, once celebrated for its dolls, but now for its grain and commerce. Hans, who carries a magic flute, lures all the cats from their homes in order to drown them. This allows him to release the mice that he carries in a cage on his shoulder, so that they may destroy all the grain.

Oh yes, I see comedy written all over this scene.

The press agent explained that all cats for consideration should be brought to the stage door the following morning at 10. (I can picture the chaotic cat scene now; comedic opera indeed!) The opera in three acts was scheduled to open in a week, leaving little time to find and train 300 cats.

Hans, the Flute Player was adapted from the French opera by Maurice Vaucaire and Georges Mitchell. It was produced by Oscar Hammerstein and featured music by M. Louis Ganne and lyrics by A. St. John Brennan;
Hans, the Flute Player was adapted from the French opera by Maurice Vaucaire and Georges Mitchell. It was produced by Oscar Hammerstein and featured music by M. Louis Ganne and lyrics by A. St. John Brennan.

According to the “want-ad” for the cats, the felines were not required to sing. All they had to do was appear for a few moments at the end of the first scene, when the flute player–a sort of second cousin to the Pied Piper of Hamelin–lured them with his magic flute.

The plan was to have all the cats come “snooping out of the front doors and back gates of the stage residences, and surround the principal baritone while he plays on a property flute with the aid of the orchestra. That is all the cats will have to do, absolutely.”

(Note: the opera ends happily, with the departure of the mice and the safe return of the cats to their cozy Milkatz homes.)

I have no idea if the stage director thought through all the logistics: How would they gather and collect all the cats when the scene was over? Who would care for the cats during the two-month run at the theater? What if the cats had to relieve themselves while on stage? How would 300 cats perform together without getting into any cat fights? Where would the cats go after the show ended?

Luckily, the ASPCA came to the rescue before all these issues and more had to be addressed by Oscar Hammerstein and his crew.

Joseph Weiss was a pied piper with catnip

The ASPCA Comes to the Rescue

One week before the comedic opera was scheduled to open, an article about the cats appeared in the Topeka Daily Capital. “Oscar Hammerstein’s hopes that 300 howling cats, real ones, would make Richard Strauss music at the opening of the Manhattan Opera House next Tuesday, were ended today by the Society for the Prevention of Cruelty to Animals. Several hundred cats were at the stage door, but they did not get inside.”

Topeka Daily Capital, September 19, 1910
Article about Manhattan Opera House
Topeka Daily Capital, September 19, 1910

According to this article, the plan was not to have the cats come snooping from behind doors, but to have them suspended from wires above the stage. As explained by stage director Jacques Coini, when the piper marched toward the painted river, the cats would be lowered with a rush. The reporter noted, “They were counted upon to become frightened and utter the usual unearthly yowls.”

The morning after the help-wanted ad for cats appeared, a young man drove up to the stage door of the Manhattan Opera House with a wagon filled with a few hundred cats. He began selling the cats for $7 each to people who thought they would get a higher price from Hammerstein.

Soon a hubbub was heard up Thirty-fifth Street. It grew nearer and out of the dust emerged two flying figures. In the lead was a boy with two cats under his arms. He was pursued by a middle-aged man in his shirt sleeves and wearing a cobbler’s apron. They arrived at the stage door together. The man seized the cats, shouting that the boy had stolen them.

Thomas F. Freel, superintendent of the SPCA

A few minutes later, ASPCA Superintendent (and cat-man hero) Thomas F. Freel arrived in the animal ambulance. He asked how the cats were going to be used. When he learned that they were desired primarily for their yowls, he said: “If those cats are used, I’ll see that the performance is stopped.”

“I’ve been hiring human cats for so long it seems to me they ought to let me have a few real ones,” muttered Oscar Hammerstein. He told the reporter he would use stuffed cats for the scene.

A day after the opening show, The New York Times gave it a very positive review. Even the stuffed cats got a brief mention: “The rain of municipal kitties comes at the end of the first act, and is a spectacle worthy of attention.”

Oscar Hammerstein’s Manhattan Opera House

Built by Oscar Hammerstein, grandfather of the famous lyricist, in 1906, the Manhattan Opera House was meant to be a lower-priced alternative to the fancier Metropolitan Opera. Although the opera house was successful, it folded as a venue for grand opera in 1910 when the Met bought off its competition–Hammerstein–for $1.2 million.

Manhattan Opera House
Manhattan Opera House at 311 West 34th Street, between 8th and 9th Avenues.

Under the 1910 agreement with the Met, Hammerstein had to promise that he would not produce grand opera again in New York for 10 years. “Hans, the Flute Player” was not a grand opera, so Hammerstein got away with running this comedic opera after signing the agreement with the Met.

The old Manhattan Opera House.
The old Manhattan Opera House.
The three-balcony Manhattan Opera House had seating for 3,000 people.
The three-balcony Manhattan Opera House had seating for 3,000 people.

In 1922, after several years as a vaudeville and movie house, the opera house was purchased by the Ancient and Accepted Scottish Rite of Freemasonry, who added several floors and made extensive renovations. Basically, they built a new, more modern building over the shell of the former opera house.

The building was renovated again in 1938; the former theater gained in popularity over the years as a meeting place for unions and political groups, such as the Communist Party and the John Birch Society.

The old Manhattan Opera House after major reconstruction.
The old Manhattan Opera House after major reconstruction.

During the late 20th century, the building was owned by the Unification Church, which also owned the adjoining New Yorker Hotel on Eighth Avenue. Called the Manhattan Center, it featured audio and video studios, a computer graphics shop, and a large hall on the seventh floor that was perfect for recording classical music and hosting special events.

The Manhattan Center was constructed over the old Manhattan Opera House.
The Manhattan Center was constructed over the old Manhattan Opera House.

Today, The Manhattan Center comprises the Grand Ballroom, the Hammerstein Ballroom, and the Manhattan Center Studios (TV and sound production studios). In recent years, the building has been used for trade shows, concerts, game shows, special events, and radio shows.

If you enjoyed this tale, you may also like reading about the cats that starred in a musical comedy called the “Soap Bubble” at the Grand Street Museum in Williamsburg.