U.S. Life-Saving Service
A U.S. Life-Saving Service crew and their horse pull their equipment to the water’s edge.

“Here are people who have been on the ocean for a week at least, no land seen, and nothing seen on the coast yet but the red light on shore, in trouble now, in danger of their lives, and here comes a man from the unseen world, in a pair of short canvas trousers, riding on a rope, to tell them of the succor near and bid them be of good heart.”– William Drysdale on the U.S. Life-Saving Services, November 16, 1890.

On July 28, 1988, President Ronald Reagan spoke to representatives from the Future Farmers of America in Room 450 of the Old Executive Office Building. About five minutes into his speech, Reagan told his audience, “There seems to be an increasing awareness of something we Americans have known for some time: that the 10 most dangerous words in the English language are, ‘Hi, I’m from the Government, and I’m here to help.’” (Cue laughter.)

The anti-government, anti-socialist, pro-market politicians may be having a field day with this famous quote today. But for more than 177,000 people who were rescued by the U.S. Life-Saving Services between 1871 and 1915, those 10 words were a gift from the heavens above.

Life-Saving Services
In a storm, any ship stranded on a sandbar usually fell to pieces within a few hours, leaving a swim to shore the only chance for survival. But few people could survive in 40-degree turbulent waters. Even if a few sailors managed to reach the beach in winter, they stood a good chance of perishing from exposure on the largely uninhabited shore.

The U.S. Life-Saving Services – a forerunner to the U.S. Coast Guard — was established by Congress in 1871 in response to the high loss of life in ship wrecks along America’s coastlines, particularly on the Atlantic coast. Not only were thousands of people killed in wrecks, but survivors often succumbed to their injuries because there was no one to help them. Many survivors also fell prey to pirates who would rob and attack them.

Sumner Increase Kimball  General Superintendent U.S. Lifesaving Services
Sumner Increase Kimball, a young lawyer from Maine, was appointed General Superintendent of the U.S Life-Saving Services in 1871. He remained the only General Superintendent: The law which created the U.S. Coast Guard in 1915 also provided for his retirement.

By 1880, the U.S. Life-Saving Services had 183 live-saving stations: 7 along the coasts of Maine and New Hampshire; 15 in Massachusetts; 37 along the coasts of Rhode Island and Long Island; 40 in New Jersey; 44 south of Cape May, N.J. and in the Gulf; 34 on the Great Lakes; and 6 along the Pacific Coast. In its ninth year of operations, the U.S Life-Saving Services responded to 250 ship disasters in which 1,854 people were rescued and only 24 lives were lost.

USLSS Life Car
In 1842, Boston inventor Joseph Francis invented the corrugated metallic life car. The first life car was placed on the coast of New Jersey, near Long Branch, in the autumn of 1849. It was first called into use in January 1850, when the British emigrant vessel Ayrshire was wrecked on Squan Beach near Manasquan in a violent winter storm. Of the 201 persons on board, 200 were saved by the life car. Unfortunately, few stations had access to these boats because Congress had not provided enough funding to provide for the horses that were needed to haul the two-ton vessels.

A Day in the Life of a Surfman
Each life-saving station was manned by a crew of surfmen who lived at the station for eight to ten months a year (usually from November to April, which was called the “active season”). Station surfmen were paid $40 a month; the keeper, also known to the men as the captain, was employed all year and paid $400.

These men of the U.S. Life-Saving Services patrolled the shores either on foot or on horseback to look for ships that were in distress or coming too close to shore. When faced with an ocean rescue situation their motto was, “You have to go out. You don’t have to come back.”

U.S. Lifesaving Services Surfmen
In this photo, the two surfmen in center bury the sand anchor, the surfman at right carries the breeches buoy and a support for the hawser, and the other three haul in the line that has been shot over the vessel.

In the Spring 1992 issue of Naval History, Lieutenant Commander Robert V. Hulse of the Coast Guard vividly describes the typical duties of a surfman and his 16-year-old horse, Bill, at Blue Point Station on Fire Island. Commander Hulse worked at this station in the 1930s, shortly after the U.S. Life-Saving Services and the Revenue Cutter Service merged together to form the Coast Guard.

USLSS crew with three-horse hitch
A 7-member USLSS crew with a rare three-horse hitch, 1910.

“Sitting atop the roof of each two-storied lifesaving station was an observation tower. There a lookout was stationed during the daylight hour to note in his log every vessel that passed. He had a pair of binoculars as well as a spyglass to aid in his observations. Once night had fallen, foot patrols would start out from each station to keep a watchful eye on any ship passing by. If we saw red and green running lights too clearly, it usually indicated that the vessel had strayed in too close to shore. If the ship kept on her present course she was bound to plow right into the outer sandbar.

U.S. Lifesaving Services Surfman uses a Coston flare
If a ship came too close to shore, a surfman would strike his red Coston flare against a rock, which could be seen for 20 miles. The flare warned the captain that he was too close and alerted the station crew of a pending disaster.

In such a case you had to quickly haul a Coston flare out of your knapsack. A few seconds sufficed to twist off the outer cover and ignite the light. You held it aloft so that the reddish-orange glow would clearly be seen out at sea. The signal burned for a good five minutes. Its clear message was: “You are coming in too close to shore. Change course immediately. You are in danger.”

Rushing topside to the crew’s dormitory, you go from bunk to bunk to wake up your shipmates. A minute later and you are outside putting the harness over old Bill. Rolling the cart out of the boathouse is easy. Just ahead, however, is deep, loose sand, and all eight surfmen are now positioned on either side of the cart to keep it moving forward. Poor old Bill would never be able to drag it over to the water’s edge without such help. The surfboat weighs a good thousand pounds, and that’s not counting the gear.

A Life-Saving crew
A Life-Saving crew with their surfboat on a carriage and a team of horses participate in a parade, circa 1900.

Finally, you and your mates have drawn abreast of the shipwreck. The rescue attempt is about to begin. Captain Bennett, of course, is in total command; many lives depend on his experience and judgment.

Carefully, you help slide the surfboat off the cart into the freezing cold water swirling around your feet. Captain Bennett is studying the sea. It is he who must decide on the most propitious moment to launch. You and the others are knee-deep in the numbing cold water, steadying the surfboat whose bow is pointed straight out into that ugly, unforgiving ocean. After a split second more of appraisal, your gruff old skipper suddenly roars out, “All right, men, let’s go!”

U.S. Life-Saving Services surfmen
U.S. Lifesaving surfmen head out to make a rescue on Long Island.

1896: The Wreck of English Steamship Lamington
In the 19th century, the number of ships that wrecked along the beaches and sandbars of Fire Island were almost countless. Raging gales drove ships of every type and nation onto the outer bar, some never to return to the sea again.

On February 4, 1896, the English steamship Lamington, with a cargo of fruit from Valencia, Spain, forged at full speed through the dense fog into the sand bar of Great South Beach, two miles east of the Blue Point Life Saving Station. Jetur Rose Payne, the number-one surfman at Blue Point, saw the lights of the ship at 8 p.m. as he was returning from the sundown patrol. The ship was moving too fast, though, and it crashed before he could warn the ship’s captain. Payne ran to the station and notified Captain Frank Rorke and the crew. A telephone message was also sent for assistance to the Bellport, Long Hill, and Patchogue stations.

Lyle Gun
The Lyle rescue gun is named after its inventor, U.S. Army Colonel David A. Lyle (West Point Class of 1869). A line was fastened to a weighted projectile and shot from the gun toward the ship in distress. The sailors would grab the line as it passed over the ship, and use the line to pull out the heavier hawser cable rope. (Attached to the line were small wooden tags with instructions in English, French, and Spanish: “Pull on this line.”) The Lyle gun could reach over 600 yards, and could sometimes be shot from a boat if the water was calm enough. Lyle guns were used from the late 19th century to 1952, when they were replaced by rockets.

Launching a lifeboat was out of the question, so the crew used a Lyle gun to fire a line about 150 yards to the ship in distress. The first sailor to be rescued by the breeches buoy was 16-year-old Jimmie Holbrook. One by one, 17 more crew members were brought ashore, including James Brady of Buffalo, New York, who paid his way home from London by working on the ship.

David A. Lyle
Colonel David A. Lyle

The crews worked for almost 48 hours trying to rescue the remaining crew on board, including Captain G.W. Duff, the master of the freighter, the chief officer, and three engineers. Two days after the wreck, the newspapers reported that the men were still on board the doomed ship. Tremendous breakers were making rescue impossible, and it was feared all six men would perish as the ship continued to fall apart in the turbulent seas.

As it was, all of the crew survived, albeit, Captain Rorke and his life-saving crew had to make two more rescues in the following weeks to save some wreckers and engineers of a wrecking corps that were trying to salvage the steamer.

Homer The Life Line
The Life Line, by Winslow Homer, 1884, depicts a woman overwhelmed as she’s carried ashore with her rescuer in a breeches buoy. A breeches buoy resembled a life-preserver ring with canvas pants attached. It could be pulled out to the ship by pulleys, enabling a sailor to step into the pants and then be pulled to safety. The men drilled using the breeches buoy once a week – if after a month’s practice the crew could not rescue a person in five minutes they were reprimanded. Many crews could set it up and make the rescue in under three minutes, even during night drills when there were no light sources. Photo, Philadelphia Museum of Art

A Cat and Dog Are Rescued
In addition to the 18 rescued sailors, several animals were also onboard the Lamington. A large cat weighing 18 pounds, which had been the sailors’ pet, was carried ashore by one of the sailors on the breeches buoy (I’d love to see them try this with my cat). The cat was presented to Harrison Craig Dare, a newspaper editor from Patchogue, Long Island. A terrier was also rescued via the breeches buoy and given to Frank Soper of Ocean Beach, Fire Island.

Four Trick Ponies Are Lost
On board were four trained ponies that were being transported from Spain to Jose Aymor of the Cambridge Hotel in New York. (There had been five, but one died shortly before the ship struck the sand bar.) Unfortunately, all four ponies drowned two days after the ship crashed into the sandbar.

Life-Saving Stations of the Long Island Coast

In the late 19th century, there were 30 life-saving stations scattered along the Long Island Coast from Montauk Point to Rockaway Point. The following is a list of those stations and the keepers in about 1880:
Ditch Plain, William B. Miller
Hither Plain, William D. Parsons
Napeague, John S. Edwards
Amagansett, Jesse B. Edwards
Georgica, Nathaniel Dominy
Mecox, John W. Hedges
Southampton, Nelson Burnett

An 1871 Red House-Type station at Fire Island.
An 1871 Red House-Type station at Fire Island.

Shinnecock, Alanson G. Penny
Tiana, John E. Carter
Quogue, Charles H. Herman
Potunk, Isaac Gildersleeve.
Moriches, Gilbert H. Seaman
Forge River, Ira G. Ketcham

U. S. Volunteer Life Saving Corps Sheepshead Bay
The U. S. Volunteer Life Saving Corps was an early supplement to the USLSS. This photo of the crew of the VLSC station at Sheepshead Bay, Brooklyn, was taken around 1900.

Smith’s Point, John Penny
Bellport, Henry Kremer
Blue Point, Frank Rorke
Lone Hill, George E. Stoddard
Point O’ Woods, William H. Miller
Fire Island, J.T. Doxsee

U.S. Life Saving Station, Ditch Plains, Long Island, New York.
U.S. Life Saving Station, Ditch Plains, Long Island, New York. This 1882-type life saving station was just southwest of the Montauk Lighthouse.

Oak Island, Edgar Freese
Gilgo, William E. Austin
Jones Beach, Steven Austin
Zach’s Inlet, Philip K. Chichester
Short Beach, John Edwards
Point Lookout, Andrew Rhode

Rockaway Point Lifeboat
Rockaway Point Lifeboat, August 4, 1890

Long Beach, Richard Van Wicklen
Rockaway, William Rhinehart
Rockaway Point, Daniel B. Abrams (today this is Beach 129th Street)
Eatons Neck, Henry E. Ketcham
Rocky Point, Harvey S. Brown

The Blue Point Life-Saving Station
The Blue Point Life-Saving Station

U.S Life-Saving Services Station #22, Third District: Blue Point
The Blue Point Life-Saving Station, constructed in 1856, was located on the beach of Great South Bay near the community of Water Island (about 10 miles east of the Fire Island Lighthouse and about 4 miles south of Patchogue). In its first year of operation, Charles R. Smith was appointed keeper.

In 1896, when the wreck of the Lamington took place, Frank Rorke was the keeper. Rorke was appointed to this position on July 5, 1887, and remained at Blue Point until his retirement with thirty years of service on May 31, 1919. Although the U.S. Life-Saving Services merged with the Revenue Cutter Service to form the U.S. Coast Guard in 1915, Blue Point stayed in operation until 1937.

Blue Point LIfe-Saving Station
The Blue Point Station was abandoned after the war in 1946.

The End of an Era
The era of rescuing shipwrecked sailors by surfboat and breeches buoy ended in 1915, when the U.S. Life-Saving Services merged with the Revenue Cutter Service to create the U.S. Coast Guard. Some of the old stations, however, continued to be manned by surfmen who helped rescue mariners until the end of World War II. Improvements in navigation, radar, sonar, and the helicopter combined to render these stations obsolete. Unfortunately, most of them were sold at auction or torn down.

The good news though, is that while the U.S. Life-Saving Services only existed as a separate entity for 44 years, during that time the brave surfmen and their horses came to the rescue of 178,741 men, women, and children — 177,286 of whom were saved. That’s an outstanding record, considering the limited equipment they had.

If you enjoyed this story, you may like reading about Tim, the shipwrecked cat rescued by the men of the Eatons Neck Life-Saving Station on Fire Island.

Dog treadmills, also called dog engines, produced both rotary and reciprocating powers for use with light machinery like cider presses, butter churns, grind stones, fanning mills, and cream separators. Shown here is Nicholas Potter's patented "Enterprise Dog Power" treadmill, designed to power butter churns and other small farm machines, circa 1881.
Dog treadmills, also called dog engines, produced both rotary and reciprocating powers for use with light machinery like cider presses, butter churns, grind stones, fanning mills, and cream separators. Shown here is Nicholas Potter’s patented “Enterprise Dog Power” treadmill, designed to power butter churns and other small farm machines, circa 1881.

On May 15, 1874, 23-year-old Charles W. Walker, the proprietor of a mill at 602 Broadway that manufactured bottled champagne cider, was arrested and charged with cruelty to animals. According to officers from the American Society for the Prevention of Cruelty to Animals (ASPCA), Mr. Walker was overworking his dogs at the mill to the point of suffering, fatigue, and injury.

For this curiously odd dog story of old New York, I’m going to take you on a short visual tour of downtown Broadway in the vicinity of West Houston Street, circa 1874, following a brief history of this area.

Olympic Theatre, Broadway
The second Olympic Theatre (the first one at 422 Broadway burned down in 1854) was built in 1856 at 626 Broadway. The theater was originally named Laura Keene’s Varieties, in honor of American actress Laura Keene, who appeared in Our American Cousin at Ford’s Theatre the night President Lincoln was assassinated. The Olympic remained a popular venue for musical burlesques until it burned down in 1881. It was replaced by a brick and cast-iron store and loft building.

From the late 1840s through the 1870s, what we call NoHo and SoHo today was at the very center of the “Theatrical Rialto.” It was one of the most thrilling and glamorous parts of Manhattan, offering New Yorkers, businessmen, and tourists some of the finest shops, hotels, restaurants, theaters, and, of course, all the vices associated with these establishments. This Broadway era of glitzy white marble was a far cry from the residential Broadway of the 1820s and 30s, when glorious churches and rows of stylish red-brick Federal and Greek-Revival private homes lined the street.

For patrons of the theater – primarily men — there were numerous concert halls that offered vaudeville and the blackface minstrel shows that were all the rage in those days.

The exterior of Niblo's Garden c.1887. on Broadway
The second Niblo’s Garden Theatre, shown here in 1887 (the first one was destroyed by a fire on September 18, 1846), opened in the summer of 1849 and became part of the Metropolitan Hotel in 1852. The 3,200-seat theater featured some of the most popular actors and plays of the time, as well as Italian opera. This theater was also destroyed by fire in 1872, but it was rebuilt by A.T. Stewart. The final performance at Niblo’s took place March 23, 1895. A few weeks later the theater and hotel were demolished to make way for the Metropolitan Building, a large office building erected by sugar-refining titan Henry Osborne Havemeyer. Today the building at 568-578 Broadway is home to some of New York’s fastest growing startup companies.
Wood's Theatre, Theatre Comique, at 514 Broadway
Formed by Edwin P. Christy in 1842, Christy & Wood’s Minstrels (aka the Ethiopian Minstrel Band and Wood’s Minstrels) were a troupe of actors, actresses, performers, comedians, and acrobats. In July 1862, the troupe acquired an abandoned synagogue at 514 Broadway and converted it to a 1,400-seat theatrical hall. For the next 13 years the theater changed hands several times, caught fire, and operated under the marquees of multiple different names, including the Theatre Comique. The building was demolished in 1881. Photo: Albert Garzon

For the ladies of leisure, Broadway was a shopping Mecca during the daylight hours.

Tiffany and Company at 550 Broadway
Tiffany and Company’s marble-faced headquarters and showroom at 550 Broadway (1853–1881) featured a nine-foot statue of Atlas holding aloft a round clock (now seen on their shop on Fifth Avenue). This building still stands, but today it looks quite different as the home to Banana Republic.

There was Tiffany and Company just north of Prince Street at 550–52 Broadway, Lord & Taylor’s five-story department store on the northwest corner of Broadway and Canal Street, and Brooks Brothers at 668–674 Broadway near Bond Street.

Most of the halls changed management and marquee names every few years or so, and it seems like a majority were damaged or destroyed by fire at least once during their short life spans, but a few of the more memorable ones were still operating in the 1870s. These included Tony Pastor’s Opera House at 585 Broadway, the new Olympic Theatre at 622-24, Theatre Comique at 514, and Niblo’s Garden behind the Metropolitan Hotel at 578-60 Broadway.

The former Brooks Brothers, Broadway
In 1873, Adele Livingston Sampson Stevens, one of the nation’s wealthiest women, was still living in her magnificent mansion at 668–674 Broadway, in the fashionable Bond Street area. But that August, her home was demolished and replaced by a five-story store and factory building designed by George Harney for Brooks Brothers. In 1884 Brooks Brothers moved northward to Broadway and 22nd Street, but this building continues its original purpose – a clothing store on the first floor and manufacturing spaces above.
The Grand Central, Broadway Central Hotel
The Grand Central Hotel, later named The Southern Hotel and finally the Broadway Central hotel, was erected in 1869 on several lots fronting Broadway, with the main entrance at 673 Broadway. The site was originally a hotel and theater called the Lafarge House, but this structure was destroyed in an 1854 fire, rebuilt, and destroyed again in another spectacular fire. One day in August 1973, a section of the Broadway Central’s facade collapsed, killing four residents of what was then a welfare hotel. A fireman later rescued an 8-month-old dog named Dino who was trapped in the rubble for a week. The remains of the hotel were demolished, and New York University subsequently built a 22-story student dorm for law students on the site.

Woven throughout the theaters and shops were some of the city’s most grandiose hotels, including the Grand Central Hotel at 673 Broadway and the famous white marble St. Nicholas Hotel, which stretched 100 feet between Spring and Broome Streets.

The St. Nicholas Hotel, Broadway
The St. Nicholas Hotel, which opened on January 6, 1853, featured all the latest amenities, including central heating, gas in every room, and bathrooms and water closets with hot and cold water in every room. The magnificent building was demolished only 30 years later in 1884. Remarkably, two sections of the original hotel remain today at 521 and 523 Broadway.
The Metropolitan Hotel Broadway
The 500-room Metropolitan Hotel occupied a full city block on Broadway and 210 feet on Prince Street. The Metropolitan was managed by Simon Leland and his brother and operated on the American plan, which included three meals a day. Unlike many New York hotels, the Metropolitan allowed the slaves of its Southern patrons to stay on the premises. Mary Todd Lincoln and her black seamstress, Elizabeth Keckley, stayed at the Metropolitan on several occasions. The building was demolished in 1895. Photo: Museum of the City of New York.

There were also numerous smaller hotels on the European plan that charged $1 or $2 a night and were popular with performers and single men seeking temporary housing. These included the Tremont House located next to the Grand Central at 663-665 Broadway, the St. Charles Hotel (formerly Sewell House) at #648, and the Revere House at 604–608 Broadway, which was very popular with the theater and circus performers.

Revere House Broadway New York
The Revere House at 604-608 Broadway was operated as a hotel and boarding house with restaurant by Timothy J. Coe and his son, Russell. It was the meeting place of the New York Fat Men’s Association, as well as the scene of numerous murders and suicides. The narrow building to the right of the Revere House is Walker’s cider mill at 602 Broadway, where our dog story takes place.

It is just south of Houston Street and one door past the Revere House where the dog tale begins…

Broadway south of Houston 1860
A stereoscopic view of Broadway, looking south from Houston Street, circa 1860. Photo: New York Public Library

The Doggy in the Window

According to news reports, Charles Walker employed several dogs, including a Siberian bloodhound and a Newfoundland, as the motive power in an apple-grinding machine at his factory on Broadway, right next door to the Revere House. The doggie treadmill was placed in the front window each day to attract the attention of passersby.

On the evening of May 15, 1873, Mr. James W. Goodridge of 129 West 17th Street entered the factory and noticed that the Siberian bloodhound working the treadmill was suffering from fatigue and seemed to be starving. The dog also was chafed and bleeding at the neck. Goodridge reported this to the SPCA, who arrested Walker and ordered him to cease and desist until his court hearing.

Due to “severe illness, Walker’s court hearing was delayed for over a year. Apparently he didn’t want to obey orders for such an extended period, so he reportedly began using the dogs on the treadmill again.

This time, ASPCA Officer Dr. William C. Ennever ordered Deputy Sheriff Timothy Kelly to arrest employee Jospeh Bailey for forcing the dog to run the grinding machine. Bailey was arrested on November 21, 1873, locked up and released by 33-year-old Police Justice George E. Kasmire the following day.

Less than eight months later, another employee, Washington Williams, whom the Brooklyn Eagle described as “a sable resident of Thompson Street,” was arrested and charged with cruelty to animals on a complaint made by Henry Bergh, founder and president of the ASCPA. This time it was a Newfoundland that was being used as motive power for the apple grinding machine. Mr. Williams was held on $300 bail by Justice Henry Murray at the Jefferson Market Courthouse.

The Hearing at the Jefferson Market Police Court

Charles Walker finally had his day in court on October 8, 1874. At that hearing, Mr. Bergh appeared before Justices Kasmire, Henry Murray, and Bankson T. Morgan. He reported that the dog’s collar had chafed a raw sore and that he panted and frequently tried to stop, but was so tied that he had to keep on running or choke.

Walker told the judges that he had worked the dogs for years at his factory, never worked them more than an hour at a time, and never chained them up to the machine. However, his father, William Augustus Walker, who owned Walker Glass Importing, Silvering, and Manufacturing Company at 616 Broadway, contradicted his son. He told the judges that the dogs were so fond of working the mill that they had to be chained to prevent them from walking on the treadmill outside of working hours.

Employee Washington Williams also testified at the hearing — and here’s where it gets even more bizarre. Williams told Justice Kasmire that since the dogs had been liberated by the ASPCA, he was being used as the motive power for the machine. Williams said he did not find the work hard at all. Apparently he did not feel it was cruelty to humans either.

Jefferson Market fire towwer and court
What is today the Jefferson Market Library on Greenwich Ave. between 6th Avenue and West 10th Street was formerly the Jefferson Market. The block originally housed a dingy police court in the Assembly Rooms over a saloon, a volunteer firehouse, a jail, and an octagonal wooden fire lookout tower constructed in 1833. The wood tower and market structures were razed in 1873 to make way for a new civic complex and courthouse, which opened in 1877. In 1927 the jail, the market, and the firehouse were demolished and replaced by the city’s House of Detention for Women. The courthouse was abandoned in 1945 and saved by the Greenwich Village Association in 1962 to be readapted as a public library. In 1973 the House of Detention was torn down to make way for a park. Photo circa 1855-60, Jefferson Market Library.

After only a few minutes of deliberation, Justice Kasmire announced the decision: The Court found Charles Walker guilty, and sentenced him a fine of $25.

The Jefferson Market Library.
In 1885 a panel of American architects voted the Jefferson Market Courthouse the fifth most beautiful building in America. Today it’s home to the Jefferson Market Library.

Following this case, Bergh became notorious for frequently storming in saloons where dogs called “turnspit dogs” were being used on cider and fruit presses. He would wave his silver-headed walking stick like a club until the bar managers, who didn’t think it was anyone’s business how they worked their cider mills, backed down and liberated the dogs.

Unfortunately, Bergh often returned to some saloons, only to find that the dogs had been replaced by black children. Mind you, this was just 10 years after the Civil War, and child labor was not against the law — but still, this story shows how far we’ve come in 140 years.

Bum, 12th Precinct mascot, in June 1914, after winning a lifesaving medal at the annual Workhorse Parade.
Bum in June 1914, after winning a lifesaving medal at the annual Workhorse Parade.

When Patrolman Cornelius O’Neil found the yellow dog he named Bum on Mulberry Street in Little Italy, the mangy mutt was half-starved and trailing remnants of a pack of firecrackers by his tail. Patrolman O’Neil decided to rescue the dog and make him the mascot police dog of the newly designated 12th Precinct of the New York City Police Department.

Little did he know it on that day in July 1908, but over the next eight years, Bum would earn his weight in gold many times.

During the early 1900s, the Little Italy neighborhood was a breeding ground for gangster violence. In the heart of this neighborhood was the notorious Mulberry Street of Five Points (Gangs of New York) fame. This avenue of pool halls, saloons, and back-alley gambling spots was also home to some of the most famous and influential Italian American gangsters in history.

It was on Mulberry Street that the first Italian immigrants made their homes in America in the late 1800s and early 1900s. These poor people lived in crowded, filthy, rat-infested Old Law dumbbell tenement buildings that were literally airless firetraps.

Lucky for some of them, Bum was attracted to fire more than the firemen of what was then Engine 13 at 253 Lafayette Street and Ladder 9 at 209 Elizabeth Street.

He loved nothing more than responding to the big fires with his “pack” and often assisted the police and firefighters in making rescues by leading them through smoke to window-less rooms where frightened children and their mothers were huddled together.

205 Mulberry Street, 12th Precinct
In 1908, the newly designated 12th Precinct station house was located at 205 Mulberry Street in the East Village, shown here. The multi-story brick building and adjoining cells in back were built in 1871 for what was then the 14th Precinct (and then later the 11th Precinct).
Mulberry Street 1900
This famous photo of Mulberry Street taken around 1900 (recently colorized) depicts what Harlan Logan described in The Bowery and Bohemia as “a tortuous ravine of tall tenement-houses…”
290 Elizabeth Street Ladder 9
Bum loved responding to fires with the men of Ladder 9, which was stationed at 209 Elizabeth Street, shown here. Ladder 9 was relocated to 42 Great Jones Street in 1948, and sometime after that the Elizabeth Street building was occupied by Giacchino LaRosa & Son Bread Co.

One day in the spring of 1912, Bum was on patrol with his human partner when he saw a cat run into an open door of a tenement building on Mulberry Street. Being a dog, Bum was naturally inclined to break free from his partner and chase the cat into the building. I like to think that the cat was also a hero in this story, because she led Bum into a tenement that was on fire.

Bum emerged from the tenement, grabbed O’Neil by his coat, and dragged him into the hallway. O’Neil followed obediently and found smoke coming from the basement.

As the partners ran up stairs and down hallways, Bum barked furiously the whole time to alert people of the danger so they could safely evacuate the building.

Bum Receives a Medal

Bum’s heroic deed on Mulberry Street came to the attention of Mrs. Knox Bull of the Bide-a-Wee Home, a nonprofit humane group that rescued and provided care for stray and unwanted cats and dogs.

The organization presented Bum with a bronze medal in July 1912 that was inscribed “Bum, Twelfth Precinct” on one side, and featured a female figure and a dog on the other.

Bum would rescue many people and receive other awards during his tour with the 12th Precinct.

Laura Gardin Fraser's Bide-A-Wee dog medal
American sculptor Laura Gardin Fraser designed this medal for Bide-A-Wee sometime before she wed sculptor James Earle Fraser.

On Memorial Day in 1914, Bum received a lifesaving award at Manhattan’s eighth annual Workhorse Parade, sponsored by the New York Women’s League for Animals. At this event, he was honored for helped save the life of a child whose clothes had caught fire during a bonfire.

A Brief History of Bide-A-Wee
Bide-a-Wee, which means “stay awhile” in Scottish, is one of the oldest humane organizations in the United States (today it’s spelled Bideawee). The organization was founded in 1903 by Mrs. Flora D’Auby Jenkins Kibbe of New York City, who based her organization on the Barrone d’Herpents Dog Refuge in Paris.

This humane group sent an ambulance all over Paris to pick up stray and unwanted dogs. Instead of being destroyed, they were cared for until they could be placed in new homes.

Mrs. Kibbe called her new organization the Bide-A-Wee Home Association, which operated out of a small building near her home in Manhattan. With the help of friends, Bide-A-Wee was officially incorporated as a not-for-profit in 1906.

Bide-A-Wee Ambulance
Bide-A-Wee used ambulances to pick up stray and unwanted animals. Volunteers with the organization cared for the animals and worked to find them all permanent homes.

Its main mission was to alleviate the sufferings of homeless and abandoned animals, and to spread the gospel of humanity toward dumb creatures by practical example. In addition to helping strays, during its early years the group also placed and maintained troughs filled with fresh drinking water for carriage horses on the streets.

Mrs. Flora D'Auby Jenkins Kibbe
Flora D’Auby Jenkins Kibbe

By 1909, the building near Mrs. Kibbe’s home housed 200 dogs. The neighbors weren’t too keen about the constant barking, so Mrs. Kibbe was forced to find a new home for the animals. For the next several years, as she looked for a permanent new home, the animals were kept in a series of temporary shelters.

The organization finally moved to 410 East 38th Street, which is the current headquarters. They also began operating a country home and pet cemetery in Wantagh, Long Island.

Since that time, Bideawee has expanded to include two pet memorial parks in Wantagh and Westhampton, where thousands of pets from the New York metropolitan area have been buried over the years.

Murder and Mayhem on Mulberry Street
In May 1913, just a year after Bum received his medal for saving lives at the tenement fire, the 12th Precinct found itself in the middle of a national manhunt for a notorious gangster and cop killer. This is one of those stories you just can’t make up.

Crime on Mulberry Street
On Mulberry Street, it was not uncommon for the patrolmen of the 12th Precinct to come upon dead men on the sidewalk.

On the night of May 3, Patrolman William B. Heaney, a rookie with only two months on the job, was at his post on Mulberry Street between Spring and Bleecker. He had just 30 minutes to go before his shift ended at midnight.

At about 11:30 p.m., a shot rang out in the street nearby. Patrolman Heaney ran toward 235 Mulberry Street, a new (1910) five-story apartment building with a combination pool hall and café on the ground floor. As he approached, he saw two men dragging what appeared to be a dead man into the building. The dead man was a 33-year-old bookkeeper named John “Kid Morgan” Rizzo of 41 Spring Street. The men dragging him were James Morelli and 21-year-old Oresto Shillitani, aka “Harry Shields” and “The Paper Box Kid.”

Patrolman William B. Heaney (badge #2761)
Patrolman William B. Heaney (badge #2761), the son of Patrick Heaney and Mary Amelia Howard, was born on July 23, 1887. He married Mary Josephine Brennan in 1912 and lived with his new bride at 717 Prospect Place, Brooklyn. He had been on the job only two months when Oresto Shillitani shot him three times, killing him almost instantly.

“You’re under arrest!” Heaney shouted while running toward the men from across the street. He pulled out his nightstick and struck Shillitani on his head above the ear. Shillitani responded by shooting Heaney three times: once in the mouth, once in the right lung, and once in the hand. Heaney died instantly. The 25-year-old rookie and newlywed dropped onto the sidewalk and rolled into the gutter in front of 241 Mulberry Street.

Patrolman Charles J. Teare, who was on the 10 p.m. to 6 a.m. tour, heard the shots from his post, which was just one half block away. He ran south down Mulberry Street and fired his revolver twice. Unfortunately, both shots missed Shillitani. The Paper Box Kid fired back, hitting Patrolman Teare twice in the neck.

All hell broke loose at the Mulberry Street station, which was just a block away. Officers rushed to the scene to care for their fallen brothers, cordon off the crowds, and question onlookers.

Back at the station, someone called Saint Vincent’s Hospital to summon an ambulance. While all this commotion was going on, Patrolman Teare used some of his last breaths to tell the other officers what had just transpired.

The first ambulance surgeon on the scene was Robert John McGuire. All three men were admitted to St. Vincent’s Hospital, although Patrolman Heaney was pronounced dead on arrival. The Rev. Dr. Gill of St. Patrick’s Church performed last rites for Rizzo and Teare. Patrolman Teare (badge #10009), a twelve-year veteran with the NYCPD, died the next day from his wounds. The 36-year-old officer was survived by his mother, who had lived with him at 683 Greenwich Street.

235 Mulberry Street
Today the scene of the crime – the pool hall at 235 Mulberry — is Rubirosa Pizza, a family run Italian-American restaurant that serves Staten Island-style pizza and gets great reviews on social media sites.

Nationwide Manhunt
The triple murder set off a nationwide manhunt. The New York Tribune and Middletown Daily Times-Press printed a description of the murderer as follows:

nytribune-nationwide-manhun

Italian-American, Age Twenty-One years, 5′ 1 3/4″, weight 125 pounds, slender build, thick black hair cut high up on the back of the neck, blue eyes, dark yellow sallow complexion, skin quite rough, smooth-shaven, slightly pockmarked. Associates with prizefighters and is a frequenter of cheap grade pool and billiard rooms. He was last seen wearing a grey striped suit, black derby hat, coat cut square, black shoes with bulldog toe, and a diamond horseshoe tie pin.

The manhunt finally ended when Oresto’s brother, Johnny, made arrangements for him to surrender to police on June 13. The court convicted him of murder in the first degree and sentenced him to death following solitary confinement in the Death House at Sing Sing Prison in Ossining, New York.

One June 21, 1916, only eight days before his execution date, someone – possibly a sister-in-law — smuggled a gun into him during a visit. Early the next morning, Shillitani asked Guard Daniel McCarthy to bring a slop bucket to his cell so he could relieve himself. When McCarthy opened the cell door, he shot the guard to death, grabbed his keys, and escaped from the prison.

Oresto Shilitano, aka "Harry Shields" "The Paper Box Kid"
On June 30, 1916, 25-year-old Oresto Shillitani was executed by electric chair in The Death House at Sing Sing Prison in Ossining, New York. This was probably the last photo taken of the gangster – his prison mug shot.

As the prison’s siren, “Big Ben,” began to blast, Shillitani was able to scale the twelve-foot fence and make it to the rocky shores of the Hudson River. Following a cold and disorienting swim, he emerged at the south end of the prison, took off his wet clothes, and walked toward the only building with a light – the Ossining Hospital.

There, he startled the night attendant, Ms. Elaine, by brandishing a revolver and asking her for some clothes and a room for the night. Luckily the attendant kept her wits and was able to stall him while waiting for armed guards from the prison and local police to arrive.

Shillitani was returned to Sing Sing, where he was kept sedated until the day of his execution. He died by electric chair at 6:01 a.m. on June 30, 1916.

205 Mulberry Street
205 Mulberry Street

On December 1, 1916, just five months after Shillitani’s execution, the 12th Precinct was abolished and the station house closed. After the precinct was abolished the police department used the building as a storehouse. Around 1923 it was taken over by the NYPD Building and Maintenance Section and used as workshops and the storage of building supplies. Today the building–pictured above–is home to expensive co-op apartments and the Creatures of Comfort clothing boutique.

For a much more detailed account of this fascinating true crime story, read John Scillitani’s “Gangster Original.”

Academy of Music (New York City)
Academy of Music at 125 East 14th Street

On September 8, 1902, the operetta “Robin Hood” opened at New York’s Academy of Music. The opera was produced by The Bostonians, a touring theater troupe that performed operettas written by America’s foremost composers.

“Robin Hood” was the first successful operetta written by Americans—librettist Harry B. Smith and composer Reginald De Koven.

The Bostonians
The Bostonians, including Jessie Bartlett Davis, W.H. MacDonald, George B. Frothingham, Eugene Cowles, Tom Karl and Alice Nielsen, lived on the road from September to May, premiering operettas written by some of America’s foremost composers.

On the third night of the show, W.H. MacDonald, who was playing the part of Little John, was spooked by what he thought was a ghost horse.

According to news reports, MacDonald was getting prepared in his dressing room when he saw a horse’s head in the mirror. MacDonald was startled at first, and wondered whether the Academy of Music was haunted by a ghost horse or if he was simply going insane.

Henry Clay Barnabee
Henry Clay Barnabee graced the American musical stage for close to 50 years, earning the title, “the Dean of Comic Opera.” His signature role was the Sheriff of Nottingham in “Robin Hood.”

MacDonald closed his eyes and looked again. Yep, he still saw a horse in the mirror. Maybe, he thought, the Academy of Music was in fact haunted.

A Brief History of the Academy of Music

The Academy of Music was constructed in 1854 at 125 East 14th Street, on the corner of Irving Place. Construction costs of close to $400,000 were funded by a corporation headed by Moses H. Grinnell, a former New York congressman who sold one-thousand-dollar shares to wealthy New Yorkers living near Union Square who wanted a nearby venue for the grand opera.

One of those wealthy residents was James Phalen, who had earned his fortune in real estate. Phalen owned the land on which the Academy was built, and thus, assumed the position of president on the Academy’s board of directors. Phalen and the other stockholders had very lavish privileges–including exclusive possession of a large number of the best seats—which caused numerous rifts between the board and the management.

Designed by architect Alexander Saeltzer in the German Rundbogenstil design, the Academy of Music was lavishly embellished and grand in size, with five seating levels, numerous private and stage boxes, and about 4,000 seats upholstered in crimson velvet. The interior was white and gold and illuminated by thousands of gaslights.

The Academy of Music opened its doors on October 2, 1854, with the performance of Vincenzo Bellini’s “Norma.” For the next 12 years, it was the center of musical and social life in New York.

Then tragedy struck on May 21, 1866.

Academy of Music fire 1866
On May 21, 1866, a three-alarm blaze destroyed the Academy of Music and many other buildings along the entire block from Irving Place to Third Avenue between 14th and 15th Street.

DISASTROUS CONFLAGRATION; The Academy of Music and College of Surgeons Destroyed. Several Other Buildings Partially Burned. Two Firemen Killed and One Very Badly Injured.
The New York Times, May 22, 1866

Following the devastating fire–which I’ll detail at the end of this story for those who, like me, are interested in firefighting and the history of the Fire Department–plans were made to immediately rebuild the Academy of Music on the same site. It was in this new building that actor MacDonald was spooked by the ghost horse—

According to the story, MacDonald tried to get his wits together and make a run for it, but he collided with an actual horse. What was a horse doing in his dressing room? MacDonald wondered while yelling for help.

New York Academy of Music
Construction of the second Academy of Music was completed just two years after the fire, in 1868. Movies were shown in this new building as early as 1897, when films of boxing matches were projected via the Veriscope system.

Within minutes, the door keeper and two policemen arrived on the scene. The policemen said they had seen the horse galloping down 14th Street, and, thinking it had escaped from its stable, started running after it.

They followed as the horse disappeared into the side entrance of the Academy of Music, and watched as it trotted across the stage toward MacDonald’s dressing room.

Uncle Tom's Cabin Academy of Music 1901
A scene from William A. Brady’s production of “Uncle Tom’s Cabin” presented at the Academy of Music in 1901. The show featured Wilton Lackaye as Uncle Tom, Theodore Roberts as Simon Legree, and at a horse that loved sugar.

The doorkeeper said he remembered the horse as one that had been used in the previous spring’s performance of “Uncle Tom’s Cabin.”

One of the members of the company, who had formerly occupied MacDonald’s dressing room, had a habit of feeding sugar to the horse. The horse meant no harm — he had simply returned to the Academy to get a sugar treat from the new occupant.

The Final Demise of the Academy
When the Metropolitan Opera House was built in 1883, the Academy of Music couldn’t compete, and so it began to offer vaudeville; the venue was also rented by labor organizations in the early 1900s for stage rallies.

In 1910, movie mogul William Fox, founder of the Fox Film Corporation, took over the Academy’s lease. Fox presented stage plays with a resident stock company and then switched to vaudeville and later films when feature-length movies became the vogue.

Dewey Theater 14th Street New York
In 1896, the old Grace Chapel was purchased by “Big” Tim Sullivan of Tammany Hall and converted into a music hall called Volks Garden. It was renamed Dewey Theater in 1897 and torn down in 1926 to make way for Fox’s new Academy.

On August 21, 1925, the Academy of Music was sold by the Gilmore and Tompkins estates to the Consolidated Edison Gas Company. The original Academy of Music closed forever with a gala “farewell” performance on May 17, 1926. Later that year, the Academy and several other buildings were demolished to make way for Consolidated Edison’s skyscraper.

Theatre Unique New York
In 1907, John Henry Theiss’ music hall at 136 East 14th Street was renovated as the Theatre Unique, an ornate theater that featured silent films. The 1884 structure was demolished to make way for Fox’s new movie palace in 1926.

In 1926, Fox built a new mammoth theater on the former site of the Dewey Theater, the Theatre Unique, and several other buildings between 126 and 138 East 14th Street. He named the new 3,600-seat theater in honor of the demolished grand opera hall.

Academy of Music New York
The Academy attracted big names in the 1960s and 1970s, including the Rolling Stones, the Beach Boys, Blue Oyster Cult, Lou Reed, and many other top rock groups.

The new Academy of Music, designed by Thomas W. Lamb, operated for decades as an increasingly shabby movie house until 1964, when the venue began showing rock acts at night, while still showing movies during the day.

The Palladium New York
The theater was rechristened The Palladium with a show by The Band in 1976. Numerous bands appeared “Live at the Palladium,” including Springsteen, David Bowie, and Blondie. In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager of Studio 54 fame.

It was all downhill from there (or uphill if you prefer progress over history):

• 1976: Renamed the Palladium
• 1985: Turned into a multi-level disco
• Demolished in 1997
• Rebuilt as a 12-story residence hall for NYU in 2001; Trader Joe’s moved into the main level in 2006

The Great Fire of 1866

Elisha Kingsland, Chief Engineer, New York Fire Department
Elisha Kingsland began his career in 1840 with Johnson Hose 32 of the volunteer department, which became Engine Company No. 26 in 1851. He was appointed first Chief Engineer of the paid Metropolitan Fire Department on July 28, 1865. The Academy fire in 1866 was the first real test of the newly created paid department. Following the disaster, embittered volunteers and Tammany Hall politicians argued that the new paid firemen were incompetent, and demanded an investigation of the Chief Engineer. Kingsland resigned in 1869.

On the evening of May 21, 1866, an Italian opera company hired by Academy manager J. Grau to perform Fromental Halevy’s “La Juive.” This was to be their last performance at the Academy of Music; ballet promoters Henry C. Jarrett and Harry Palmer had just brought in a Parisian ballet troupe, which was scheduled to begin production of “La biche au Bois.”

Just before midnight, shortly after the audience had departed and the artistes had left their dressing rooms, Emil Ruhlman, the janitor, and a gasman discovered wisps of smoke coming from under the left side of the parquette as they were making the evening rounds. A huge volume of smoke drove them out of the building, and upon exiting, they saw flames in the windows on 14th Street.

Emil rushed back inside to save his family, who lived in the building. He was able to get everyone out safely, including his wife, two children, and his 89-year-old mother.

One of the first arriving fire companies was Metropolitan Steam Engine Company No. 5, which was stationed at 186 East 14th Street and had been alerted to the fire by Officer O’Brien of the 17th Precinct.

The company was led by Foreman David B. Waters and Assistant Foreman P. McKeever, and was manned by Engineer W. Hamilton, Stoker C.H. Riley, Driver Alonzo Smith, and Privates (firemen) J.F. Butler, P.H. Walsh, J. Corley, Michael Stapleton, F. Rielley, P.J. Burns, and W.H. Farrell.

Metropolitan Hook and Ladder Company No. 3, led by Foreman James Timmoney and stationed just around the block at 78 East 13th Street, also arrived within minutes of the first alarm.

When firefighters arrived, they could see smoke coming from the upper windows under the roof. They also noticed that the gas used for lighting the theater had not been extinguished. Numerous companies responded to the three-alarm blaze, including Engine Companies 3, 13, 14, and 16, and a few companies from the Brooklyn Fire Department.

Even Engine Company No. 36 of Harlem came down to help out—these men worked for more than two hours protecting Horatio Worcester’s piano factory at 117-121 Third Avenue. The men didn’t know it at the time, but the three-alarm blaze would go down in history as the first true test of the newly created paid fire department.

By 12:30 a.m. the flames had gained such headway that, according to The New York Times, “all of the windows of Academy fronting on Fourteenth Street vomited great tongues of living fire…” The smoke was so dense and suffocating that District Engineer Eli Bates gave the order for all firemen inside to leave. His orders came just in time for all but two of the men: Half an hour later, the entire roof had collapsed “beneath the force of the devouring element.”

Eli Bates, New York Fire Department
Eli Bates, a former bricklayer, began his long career with the fire department as a runner with a volunteer company when he was 15. In 1846 he joined Guardian Engine 29, stationed at the supposedly haunted 14 West 10th Street (then Amos Street), where he continued to move up the ranks. When the department converted to a paid force in 1865, he was hired as a District Engineer – what now would be a Battalion Chief. In 1871 he was promoted to Assistant Chief and on May 1, 1873, he was appointed Chief of Department by Commissioner Joseph L. Perley. When he died of heart disease in 1912, Bates was the oldest ex-chief of the department.

As the fire intensified, Chief Engineer Elisha B. Kingsland shifted all of the firefighting resources from the Academy to adjoining buildings. Sparks from the inferno ignited numerous structures along the entire block from Irving Place to Third Avenue between 14th and 15th Street, and many buildings were damaged by smoke and water:

• The College of Physicians and Surgeons, 107 East 14th Street
• Grace Chapel, 132 East 14th Street
• The Dutch Reformed Church
• The St. James English Evangelical Church, 107 East 15th Street
• The Hippotheatron
• Col. James L. Frazer’s restaurant
• The residence of Mrs. Gleeson
• Ihne & Son’s 4-story piano factory, 109 East 14th Street
• Irving Hall
• The Arsenal bar room and Mrs. Romaine’s boarding house at 6 Irving Place
Third Avenue:
• No. 122, occupied by James Hundt (pork butcher)
• No. 122 ½, occupied by Charles Kreitz (a beer saloon)
• No. 124, occupied by Edward Holmes (butcher), and the McKerma, Luckenback, and Glynn families
• Rear of 124, occupied by Brander Robertson, Michael Dalton, Mrs. Fogarty, Mrs. Kennedy, and Mrs. Mack
• No. 124 1/2, occupied by J.H. Green (upholsterer), James Boyle, and Mr. Burns
• No. 126, occupied by Seaman Jones (wall paper and paint store), Mrs. Rooney
• No. 129, occupied by Mr. Mish (clothing store)

Lives Lost
When firefighters first arrived on the scene, the fire appeared to be fierce, but not spectacular. While the steam engines were working up enough pressure to start getting water on the building—this took about 10 minutes–Foreman James Timmoney of Ladder Company No. 3 entered the building and spotted flames shooting up from the basement near the stage.

John Dennin and Hugh Kitson of Engine Company No. 13 took a hose inside and were working the pipe, or nozzle, when they were relieved by Foreman Waters and firemen Walsh and Stapleton, all of Engine Company No. 5. Walsh, only 23 years old, was a rookie and had no volunteer experience, but Waters, 26, had been a volunteer for several years before quitting his job as an engraver to join the paid department.

Meanwhile, as other firemen and theater staff were hauling out furniture and other property, the gas that had been accumulating in the theater exploded, turning the building into an inferno. Kitson and Dennin were knocked down by the blast and burned; Kitson got out, but Dennin became trapped between the flames and the front entrance. He was severely burned but managed to escape by leaping through the flames.

Unfortunately, there was no escape for Waters and Walsh. The bodies of the two men were not discovered until 10 a.m., after hours of frantic searching. A team of firemen from Engine Company No. 5 and No. 3 Truck found Waters near the center of the stage. His arms and legs had burned away, but he was identified by a knife and a key in his pockets.

Walsh’s remains were found near the 15th Street side of the stage, just a few feet from the wall that separated the theater from the dressing rooms. His upper torso had burned, and only his trunk could be recovered.

Both men were single; Waters lived with his parents on the corner of 10th Street and First Avenue and Walsh lived with his mother at 82 7th Street. Their families each received $1,000 in insurance from the fire department. Dennin, who was badly burned, received $5 a week while on disability.

Lent's New York Theater

Horses Were Saved
Directly across the street from the Academy of Music was a large entertainment venue called the Hippotheatron, a domed building that opened in 1864 and was home to L.B. Lent’s New York Circus. This building was in imminent danger during the fire, and firefighters worked hard to prevent sparks from igniting the building.

While the firemen directed streams of water on the structure, the employees of the Hippotheatron worked quickly to get all of the trained horses, performing ponies, and mules out of the building. The horses were led to Union Square, where they remained until it was determined the Hippotheatron was out of danger.

Unfortunately the animals would not be so lucky the next time fire struck, but that’s another story for a future post.

Susie rescued from pier at Bay Ridge
Gaunt, soggy, and covered in grease, Susie barely had enough energy to eat following her five-day ordeal under a pier at the foot of 57th Street in Bay Ridge (now part of Sunset Park), Brooklyn. Photo: Brooklyn Public Library

Weighing 20 pounds and standing about one foot tall, Susie was a jumbo cat. She was also the terror of the rats on the Kerr Steamship Company pier at the foot of 57th Street in the Bay Ridge section (now called Sunset Park) of Brooklyn. Susie would often kill up to 10 rats in a week; her record was eight rats in four hours.

It was rat hunting that got Susie into deep trouble on July 14, 1946. According to news articles from Brooklyn, Pittsburgh, and even Toledo, Susie was chasing a rat that tried to escape the menacing feline by diving from the pier into the New York Bay.

Susie dove in right after the drowning rat, determined to make the kill. When she surfaced, she came up under the pier and had to scramble onto a crossbeam just above the high tide water level to await rescue. The fate of the rat is unknown, although my bet is on Susie.

For five days, workmen on the piers tried to rescue Susie, but to no avail. In desperation, the men called the New York Harbor Police, who thought it best to wait for low tide before attempting a rescue.

Two workmen–Vincent Caramico, a dock handyman, and Peter Arnao, a tractor boss—sensed that Susie was getting hungry, so they decided to take matters into their own hands. Using a crane and three 20-foot planks, they were able to reach up under the pier and rescue the cat.

NYPD Harbor Police Boat 1940s
Many kind men were involved in Susie’s rescue, including the New York Harbor Police, who responded to the scene. Photo ca. 1940s.

Gaunt, soggy, and covered in grease, Susie was too exhausted at first to eat the milk and fish the workmen provided. “Let her eat and in a couple of days she’ll be back to her normal pounds,” Caramico told reporters.

The men said they named Susie the “King of the Wharf” when she first arrived in Bay Ridge, and decided to continue calling her “King” even after discovering that the feline was female.

The M/S Høegh Silverstar

M/S Høegh Silverstar
The M/S Høegh was a general cargo motor ship that sailed out of Bombay, Calcutta, and other South Asian ports in the 1930s and post WWII. Photo: Historical Department, MAN B&W Diesel, Copenhagen

According to the workmen, Susie arrived at the Kerr Steamship pier in November 1945 on a ship that had originated in India. Based on my research, including voyage records from the Norwegian National Archives, it is most likely that Susie arrived in Bay Ridge, Brooklyn on November 12, 1945, on the M/S Høegh Silverstar.

Kerr Steamships Limited was the general agent for the Silver-Høegh Line, which operated freight services and accepted cargo for ports in Egypt, India, Pakistan, and the Persian Gulf. The Høegh Silverstar departed from Bombay, India, on October 15: I have a very strong feeling that Susie the king rat killer was onboard doing rat duty for Captain Alf Slaatten as the ship made its way to Bay Ridge.

1936: The Year of the New York City Swimming Pool

Exactly ten years before Susie took her unexpected swim in the New York Bay, more than 3,000 children and adults attended the opening events for the Sunset Play Center and outdoor swimming pool at Sunset Park. The Sunset Play Center featured an Olympic-size swimming pool that had diving and wading pools and a one-story brick bath house, and could accommodate 4,850 swimmers.

Following on the heels of an oppressive heat wave, the grand-opening of the public pool was a refreshing event for the Brooklyn Bay-area residents.

The opening of the Sunset Play Center Pool Brooklyn
An estimated 3,500 people attended the opening of the Sunset Play Center on July 20, 1936. After Mayor LaGuardia turned on the pool’s lights, shown here, Julia Peters of the Metropolitan Opera Company concluded the ceremony by singing the Star Spangled Banner.

The Sunset Play Center pool was one of 11 immense outdoor pools opened in the summer of 1936 in a series of grand ceremonies presided over by Mayor Fiorello LaGuardia and Park Commissioner Robert Moses. All of the pools were funded by the Works Progress Administration (WPA), one of many New Deal agencies created in the 1930s to address the Great Depression.

The day-long opening events featured parades, blessings of the waters, swimming races, diving competitions, appearances by Olympic stars, and performances by swimming clowns. These festivities continued well after dusk, with Hizzoner pulling the switch to turn on each pool’s spectacular underwater lighting as a grand finale.

I came across the following account in The New York Times archives, which was written by Robert Moses, an avid swimmer, after becoming Parks Commissioner in 1934. I think his words neatly summarize the tragic history of Brooklyn’s waterfront neighborhoods, which, like those of Sunset Park and Bay Ridge, were transformed from sandy beaches, rural farms, and majestic resorts to unsightly shipping and manufacturing districts:

It is no exaggeration to say that the health, happiness, efficiency and orderliness of a large number of the city’s residents, especially in the summer months, are tremendously affected by the presence or absence of adequate swimming and bathing facilities. We are providing additional wading pools for children as fast as we can…This, however, does not meet the problem of any but small children…It is one of the tragedies of New York life, and a monument to past indifference, waste, selfishness and stupid planning, that the magnificent natural boundary waters of the city have been in large measure destroyed for recreational purposes by haphazard industrial and commercial developments, and by pollution through sewage, trade and other waste…We must frankly recognize the conditions as they are and make our plans accordingly…

1880s-1910s: Yacht Clubs and Beaches

About 60 years before Susie the cat found herself in a jam under the Kerr Steamship pier at 57th Street, yacht clubs and bath houses dominated the South Brooklyn waterfront from about 55th to 60th Street (which, prior to 1894, was the boundary between the City of Brooklyn and New Utrecht).

The New York Canoe Club had a club house at the foot of 57th Street, as did the Varuna Yacht Club. The Excelsior Yacht Club was at the foot of 60th Street and the Atlantic Yacht Club owned the property between 55th and 57th. These clubs held numerous regattas in the summers, featuring ¾-mile races that were often followed by swimming matches and silly events like tub races and duck chases.

Atlantic Yacht Club, Bay Ridge, Brooklyn
In 1890, the Atlantic Yacht Club built a clubhouse at the foot of 55th Street, shown here. The two-story frame building had dining, billiard and reception rooms, plus a kitchen, buffet and lavatories on the lower level, and eight sleeping rooms on the second floor.
Photo ca 1890s.

For those who preferred sunbathing and swimming, John P. Stein’s Brooklyn Beach Park Hotel and Bathing Pavilion at the foot of 58th-59th streets offered 1,000 feet of sandy bathing beach “free from rocks and small stones” and “illuminated by electric light,” 1,000 bath houses, springboards, floats, shower baths, excursions in “fast Naphtha launches” (a type of pleasure craft powered by an external combustion engine) from Stein’s South Pier, and bathing at night (up to 9 p.m.).

The former Henry A. Kent mansion, a castle-like estate built for the wealthy merchant in 1855 and located between 59th and 60th streets (formerly Winant J. Bennett’s farm and today the site P.S. 314 Luis Munoz Marin School), was also on the site and known as the Brooklyn Beach Park Hotel. The Congress Park Hotel, which featured 1,000 new bath houses in 1899, also fronted New York Bay from 59th to 61st streets.

Shore Road Bay Ridge Bennett
Henry A. Kent
Numerous mansions lined the Bay Ridge waterfront in the 1800s, including those of Henry A. Kent, Henry C. Murphy, J.A. Perry, Horace Holden, R. Van Brunt, and William C. Langley. After 1940, most of Shore Road’s mansions, like the Bennett estates shown here, were torn down and replaced by high-rise apartment buildings.

The End of an Era

By the early 1900s, the Southern Brooklyn waterfront had begun a rapid transformation. In August 1900, the Morse Iron Works and Dry Dock and Repair Company purchased the property at the foot of 57th and 58th Streets, formally occupied by the Atlantic Yacht Club, for $300,000. In June 1902, John P. Stein died following a two-year illness and the Kent mansion was purchased by developers, bringing an end to the Brooklyn Beach Park Hotel and bath houses.

Sunset Park, Brooklyn
Sunset Park, located between 41st and 44th Street and 5th and 7th Avenue, was once rural farmland owned by John G. Bergen. The City of Brooklyn acquired the land in 1891, when councilmen recognized that rapid transit would bring large-scale development to the area. The park preserves some of the beauty that the neighborhood lost when development accelerated in the late 19th century.

On April 10, 1910, the Commissioners of the Sinking Fund approved a plan for the “improvement” of the Brooklyn waterfront from 53rd to 63rd Street. The plan included the establishment of a wharf and seven new piers. Eight years later, blocks of houses, boat houses, and piers along the water’s edge were demolished to make way for the U.S. Army Military Ocean Terminal, which extends from 58th to 65th Street between the water’s edge to Second Avenue.

Brooklyn Army Terminal and Pier
This aerial view shows the massive Brooklyn Army Terminal and pier. The Kerr Steamship pier, which would have been to the right of the BAT pier, is only a distant memory today.

Today, one can only sit on the grassy knolls of Sunset Park, close his or her eyes, and imagine what life was like before there ever was a passenger ship pier at the foot of 57th Street, when the waterfront along the New York Bay was lined with sandy beaches, yacht clubs, turreted mansions, and rural farms.