Cheechee with David Karp, proprietor of Central Cigar Store, 50 Smith Street, Brooklyn. Brooklyn Daily Eagle, December 9, 1949.
Cheechee on her regular stool with David Karp, proprietor of Central Court Cigar Store, 50 Smith Street, Brooklyn. Brooklyn Daily Eagle, December 9, 1949.

When Cheechee disappeared from the Central Court Cigar Store at the corner of Schermerhorn and Smith Streets just a few weeks before Christmas in 1949, everyone in the neighborhood lost some of their holiday cheer. Kids from one to 92 would not have a merry Christmas until Santa brought her back safely.

Cheechee was a lovable cat and good friend to all the Central Courts Building judges, lawyers, prosecutors, and court clerks who purchased their cigars at David Karp’s shop. The children who bought candy and chocolate sodas at the store’s ice cream counter also loved the sociable tiger cat.

Cheechee moved into the cigar store at 50 Smith Street and made it her home in 1941. She spent much of her time at the newsstand, but she also had her own stool at the ice cream counter–even when all the stools were occupied, no one ever thought to make Cheechee give up her seat to a paying customer. Everybody knew that this was the cat’s stool, and no one else could sit there. (Perhaps Cheechee was related to Rusty, the Algonquin Hotel cat who also had his own stool, albeit, his was a bar stool.)

David Karp's Central Court Cigar Store at 50 Smith Street is on the left of this 1940 photo. The Central Courts Building on Schermerhorn Street was across the street, to the left of this view. NYC Department of Records.
David Karp’s Central Court Cigar Store at 50 Smith Street is on the left in this 1940 photo. The Central Courts Building at Smith and Schermerhorn Streets was across the street, to the left of this view. NYC Department of Records.

Cheechee disappeared at 6 p.m. on December 2, which is when Mr. Kern last saw her go for a walk wearing her fur coat of gray and white tiger stripes. After she didn’t return home the next day, Karp began asking everyone to look out for her and call her name.

One of the people who learned of Cheechee’s disappearance was Mrs. Amber Davis, a telephone operator in the nearby Children’s Court at 111 Schermerhorn Street. Mrs. Davis was quite fond of the cat, who often followed her into the court and sat in on the proceedings, “solemnly listening as if trying to help the judge arrive at a just decision.”

Brooklyn Daily Eagle, December 7, 1949,
Brooklyn Daily Eagle, December 7, 1949,

As soon as she heard that Cheechee had not returned home, she contacted the Brooklyn Daily Eagle and requested the newspaper run a story about the missing cat.

“If you see the tiger stripes, call ‘Cheechee!’” Mr. Karp told Mr. Kaufman, the reporter who came to interview the store owner and Mrs. Davis. “If the lady cat thus addressed obviously recognizes her name and answers to it, comes right up to you in a friendly manner, that’s Cheechee.”

One day after the story about Cheechee appeared in the newspaper, the cat returned to the cigar shop and sat down at the counter on her regular stool. It was as if she had never left. The reporter said her reappearance provided “a new, convincing demonstration of the influence, it not the power, of the press.”

“She is well fed and in good condition, as if she had been well treated by someone in the neighborhood, who let her go after reading the story of her disappearance,” Mrs. Davis said. “But you know what? I wouldn’t be surprised if it turned out that Cheechee was just wandering around and that she read the story—on some other newsstand, of course—and decided to come back.”

I wouldn’t be surprised if a child took Cheechee home to be their pet, and when Mom and Dad read the newspaper, they told the child to return her. But maybe Cheechee did read about her own disappearance, or perhaps Santa checked his list twice and performed some of his magic to bring her back… we can all have fun imagining that one of these events happened.

A Brief History of the Children’s Court

The hero of this cat story is Mrs. Amber Smith, who worked as a telephone operator at Brooklyn’s Children’s Court on Schermerhorn Street. If she hadn’t reached out to the Brooklyn Daily Eagle, Cheechee may have been lost forever.

The Brooklyn Children's Court at 111 Schermerhorn Street, between Boerum Place and Smith Street. Brooklyn Public Library.
The Brooklyn Children’s Court at 111 Schermerhorn Street, between Boerum Place and Smith Street, 1922. The Society for the Prevention of Cruelty to Children (SPCC) is to the left. Brooklyn Public Library.

The original Brooklyn Children’s Court opened at 102 Court Street on September 8, 1903. The bill creating the court was signed April 14, 1903, by Governor Benjamin Baker Odell. The next day, Mayor Seth Low appointed Robert J. Wilkin, superintendent of Brooklyn’s Society for the Prevention of Cruelty to Children (SPCC), to serve as a justice presiding in the new Children’s Court.

The official name of the court was the Municipal Court, First Division: Children’s Court. It was located on the second floor of the circa 1867 Berean Building, which once housed Brooklyn’s branch of the New York Conservatory of Music. From the 1890s to 1903, the building was occupied by a theater called Apollo Hall, which was home to acting and dancing schools and political and social clubs.

Brooklyn's original Children's Court was at 102 Court Street, pictured here in 1921. Brooklyn Public Library
Brooklyn’s original Children’s Court was at 102 Court Street, pictured here in 1921. I wonder if the cigar store at left also had a shop cat? Brooklyn Public Library
The Berean Building in 1922, after the Children's Court had moved out. New York Heritage.
The Berean Building in 1922, after the Children’s Court had moved out. New York Heritage.

On March 13, 1917, Edmund W. Voorhies, Acting President, Borough of Brooklyn, requested the designation of a plot on Schermerhorn Street, between Boerum Place and Smith Street, as the site for a new Children’s Court building. The site, which adjoined the Society for the Prevention of Cruelty to Children (SPCC) headquarters building at 105 Schermerhorn Street, had been chosen a month before.

“It has been deemed best by people interested in the matter that this court should be constructed on the north side of Schermerhorn street, between Boerum Place and Smith Street,” he wrote to the Board of Aldermen. “I am sending you herewith a map that shows the exact location and size of this plot, and would ask that you have the proper steps taken to have this location designated as a site for the Children’s Court, in accordance with section 47 of the City Charter.”

The site selected for the new Children's Court was occupied by 5 houses at 107-117 Schermerhorn Street, between Boerum Place and Smith Street. 1898 E.B. Hyde map, New York Public Library
The site selected for the new Children’s Court was occupied by 5 houses at 107-117 Schermerhorn Street, between Boerum Place and Smith Street. 1898 E.B. Hyde map, New York Public Library

The site selected for the court was occupied by five brick residential homes, numbered 107-117 Schermerhorn Street. The city was able to immediately secure options to purchase three of the five homes; the houses at 115 and 117 Schermerhorn Street presented a challenge.

When asked why there was a delay in starting construction on the court building, Brooklyn Borough President Lewis Humphrey Pounds said, “Two old maiden ladies refuse to sell to the city their property, which comprises part of the site selected for the Children’s Court.”

The two “old maiden ladies” were Mrs. Elizabeth Eaton Carver Whittier, a mother and wife of Thomas Tupper Whittier, and her sister, Miss Alice G. Chase, who was living in Japan at this time (Mrs. Whittier chuckled when she heard that the borough president had referred to her as an “old maiden.”)

Elizabeth Eaton Carver, 2nd row, 2nd from left, graduated the Brooklyn Friends School at 116 Schermerhorn Street in 1896.
Elizabeth Eaton Carver (2nd row, 2nd from left) graduated from the Brooklyn Friends School in 1896. The school was directly across from her family’s home at 115 Schermerhorn Street.

The sisters were the daughters of a Maine ship captain, George A. Carver, and his wife, Virginia Eaton Carver. They were also the granddaughters of James C. Eaton, who owned land on Schermerhorn Street in the late 1800s, including the home at 115 Schermerhorn Street. When their mother, Virginia, died in 1913, the sisters inherited the property.

Mrs. Whittier said she had been waiting to get power of attorney from her sister, as she could not sell the property without her sister’s consent.

Justice Robert John Wilkin presided over the Children's Court from 1903 until his death at the age of 67 in 1927.
Justice Robert John Wilkin presided over the Children’s Court from 1903 until his death at the age of 67 in 1927.

“Of course to us it is little less than a tragedy to have to part with this house, which was built by my grandfather, seventy-one years ago, and where I and my sister had expected to reside for the remainder of our lives,” Mrs. Whittier said. “But we realize that the city can take the property by condemnation proceedings, and it would be foolish to let it come to that if the matter can be settled privately on an equitable basis.”

According to the Brooklyn Daily Eagle, Mrs. Whittier and her sister wanted $18,000 for each of the two homes, but the city was only willing to pay them $14,000 each. A deal must have been made, because a few years later, in June 1920, ground was broken for the new building. By that time, Mr. and Mrs. Whittier and their daughters had moved to 30 Sidney Place.

On October 31, 1921, the Children’s Court moved into its new three-story, Federal-style building. Giving a tour of the new court building to a reporter, Justice Wilkin pointed out the offices of the Big Brother Association on the ground floor and the psychiatrist’s office on the second floor.

As Justice Wilkin told the press, no child was considered a criminal by the Children’s Court, and the only law that the court recognized was the law of humanity.

“It is impossible for a child to commit a crime,” Justice Wilkin said. “A child goes wrong only because of his environment. The Children’s Court is a corrective and not a punitive institution.”

Opening of the new Children's Court on Schermerhorn Street, October 31, 1921. Brooklyn Public Library.
Opening of the new Children’s Court on Schermerhorn Street, October 31, 1921. Brooklyn Public Library.
Another photo from the opening ceremonies at the Children's Court. Brooklyn Public Library
Another photo from the opening ceremonies at the Children’s Court. Brooklyn Public Library
The waiting room on the second floor of the Children's Court, 1922. NYC Department of Records
The waiting room on the second floor of the Children’s Court, 1922. NYC Department of Records

On January 22, 1954, thirty years after the Children’s Court opened on Schermerhorn Street, a cornerstone ceremony for the new Brooklyn Domestic Relations Court Building at 360 Adams Street (Brooklyn Bridge Blvd.) took place. The new six-story building would house the Children’s Court and Family Court, which had become one unit in 1953.

Domestic Relations Court Building
The new Domestic Relations Court Building about 1954. Today this is Brooklyn’s Supreme Court building. Brooklyn Public Library

For the next twenty years, the old Children’s Court building was occupied by the Adolescent Court and then the Landlord and Tenant (Housing) Court. The building was demolished in 1974.

Today, the site of both the old Children’s Court and the Central Court Cigar Shop is occupied by the block-long New York City Transit Authority (aka MTA) headquarters building. The 12-story building was constructed in 1989 and occupies Cheechee’s old stomping grounds–in other words, the entire block bounded by Schermerhorn, Smith, Livingston, and Boerum Place.

The New York City Transit Authority headquarters occupies the entire block bounded by Schermerhorn, Smith, Livingston, and Boerum Place.
The New York City Transit Authority headquarters building. Google Streets

Brooklyn Heights cat
A genuine Brooklyn Heights cat–in 1954. Brooklyn Public Library Collection

Thirty years after the Brooklyn Heights Promenade was completed in 1951, when it was at last basking in popularity, several people came forward to receive bragging rights for designing the public walkway.

A few human engineers took individual credit for conceiving the promenade, while others said it was a team effort. No one brought up the fact that it was a pampered pet cat that first got the ball rolling for the clever and successful concept. Yes, a cat.

On March 19, 1928, residents of what was then called the Heights gathered at the first meeting of the 1st A.D. Republican Club. The purpose of the meeting was to protest against the New York Dock Company’s plans to erect a 10- or 16-story building at the foot of Joralemon Street. The residents feared that this new building, as well as plans to make other waterfront improvements, would put Brooklyn Heights behind a wall of buildings and obstruct their beautiful view.

In attendance were Paul Windels of 10 Pineapple Street, Amy Wren and Henry Ralston–the co-leaders of the 1st A.D. Republican Club–and several other Heights residents.

The Brooklyn Heights Promenade under construction in 1949. Brooklyn Public Library Collection.
The Brooklyn Heights Promenade under construction in 1949. Brooklyn Public Library Collection.

The concerned residents noted that restrictions on the height of buildings between the street ends of Orange and Remsen Streets had been in place ever since the old Pierrepont Farm was sold. However, the remaining waterfront property owned by the dock company was at the company’s disposal to do as it pleased, including building skyscrapers. Furthermore, some residents had heard rumors that the dock company was trying to remove the restrictions that dated to the Pierrepont Farm.

In addition to protesting the building plans, the residents also proposed constructing a promenade for children to play on, along the line of warehouses between Furman Street and the waterfront. The group established a committee to investigate this idea.

Amy Wren of Brooklyn Heights, 1928
Ms. Wren wanted a space for everyone to enjoy, not just pampered cats.

So where does the cat come in?

It was Amy Wren who put the cat into play.

According to Ms. Wren, the present system of shutting off all the mini parks and gardens at the ends of the various streets was a detriment to the community. The fences prevented children and other members of the public from having safe spaces to play and enjoy the waterfront. The only park area opened at this time was the one at the foot of Montague Street.

“A cat was the cause, I believe, for the closing of the other parks,” Ms. Wren said.

“I’m told that some lady wanted to have her own pedigreed cat given the exclusive right to promenade in one of them and so persuaded the city authorities to build a fence around to keep out the other cats of the common variety. I don’t know why we have these little places all fenced around so nobody can get in but cats.”

Could this fenced-in area at the end of Clark Street be where the pedigreed cat promenaded in 1928?
Was this the fenced-in garden that the pedigreed cat had all to himself?

Mr. Windels took the ball and ran with it, suggesting that a pedestrian promenade along the tops of the factory buildings could provide a play area for children as well as an alternative to the fenced-in private parks and gardens that were currently only accessible by cats and their well-to-do owners.

Furman Street and Montague Streets, 1929
Surrounded by the old warehouses and the Brooklyn Heights retaining wall, Furman Street, pictured here near the foot of Montague Street in 1929, was dark and cavernous. In 1928, residents suggested building a promenade atop the warehouses. NYPL digital collections.

“Many people are afraid to have their children play in the streets,” he said. “Such a place, with a high fence on each side, would make an excellent playground. Tennis courts might even be built there.”

Mr. Windels surmised that a walkway would not be all that expensive, as they would only need to acquire the overhead easements.

The suggestion to build a promenade atop the old factory buildings was apparently well received and considered. By 1931, the Regional Plan Association was advocating for the construction of parks on top of the buildings as well as a marginal railroad along Furman Street topped by an overhead traffic road.

Of course, the social and political history behind the Brooklyn Heights Promenade is much more complicated than this cat story. But years of discussions and planning and disagreements culminated in 1943, at a hearing before the City Planning Commission.

At this hearing, a proposal was presented for two roadways of three lanes each in either direction to be built side-by-side on top of the Heights escarpment. A deck above the cantilevered highway would serve not for private gardens and privileged cats but as a public esplanade for everyone to enjoy, including humans and cats (and dogs) of all classes.

Demolition of the inland warehouses on Furman Street began in the fall of 1946, followed by construction of the new roadway and esplanade. The southern half of the Brooklyn Heights Promenade opened to the public on October 7, 1950, and a year later, the northern half opened.

The Pierrepont Farm

Hezekiah Beers Pierrepont (The Eagle and Brooklyn, 1898).

The principal developer of Brooklyn Heights was Hezekiah Beers Pierrepont, whose recorded family history dates to Sir Hugh, Lord of the Castle of Pierrepont, in Picaardy, France (A.D. 980). Hezekiah was born in New Haven, Connecticut on November 3, 1768. At the age of 22, he settled in New York City, where he worked as a clerk at the Customs House.

Following his marriage to Anna Marie Constable in 1802 (Anna was a descendent of Cornelius Dirckson Hoaglandt, the first ferry master in Brooklyn), Hezekiah moved to what was then called Clover Hill in Brooklyn. There, he purchased the old Benson farm, including the Four Chimneys mansion (also called the Cornell mansion), and what remained of Philip Livingston’s distillery at the foot of Joralemon Street.

He added a wing to the old frame mansion and a windmill to the distillery, and he constructed a footbridge to span the ditch that ran down through his property to the waterfront.

The Four Chimneys mansion, orchards, gardens, ditch, and outbuildings are noted on this 1820 map of the Pierrepont Farm. Brooklyn Heights
The Four Chimneys mansion, orchards, gardens, ditch, and outbuildings are noted on this 1820 map of the Pierrepont Farm.

The mansion, which stood near present-day Pierrepont Place and Montague Street, was surrounded by lush gardens and orchards, and was a popular destination for courting couples. Many people during this time reportedly dug holes among the hills of the Heights in search of Captain Kidd’s treasure–some folks dug holes on the Pierrepont property, thinking they’d strike gold.

Four Chimneys also had great historical value. During the Revolutionary War, George Washington maintained his headquarters here during the Battle of Long Island. According to news reports, a signal station was set up on the roof to allow for communications with New York. Washington sent orders to his troops from this rooftop station.

The home, surrounded by the estates of the Ludlows, Middaghs, Hunts, Warings, and other prominent Brooklyn families, was also where the first draft of the act incorporating the Village of Brooklyn took place on January 9, 1816.

Four Chimneys, also known as the Cornell-Pierrepont Mansion. Anna Maria Pierrepont lived in this home until it was demolished in 1946.
Four Chimneys, also known as the Cornell-Pierrepont Mansion. Anna Maria Pierrepont lived in this home until it was demolished in 1846.
Four Chimneys mansion
Brooklyn Heights
Another view of the Four Chimneys mansion. Brooklyn Daily Eagle, 1930.

Hezekiah was a strong supporter of development, and he focused his own real estate investments in the Brooklyn Heights neighborhood. He purchased most of the area between Joralemon Street and Love Lane, and from Fulton Street to the river (all this land had formerly been owned by the Remsen, Livingston, and De Bevoise families).

Incidentally, Hezekiah had also envisioned a promenade from Fulton Ferry to Joralemon Street. According to an article about the Pierrepont family published in the Brooklyn Daily Eagle in June 1901, the public space that he envisioned would feature trees, flowers, benches, and playgrounds for the children, and the ground would have sloped down to the waterfront, where the public could bathe on a clean gravel beach.

Using his position as a village trustee, Pierrepont offered the village free land for such a promenade. Some reports say he withdrew the offer when one of his neighbors, Judge Peter W. Radcliffe, objected to the proposal. Other reports claim that multiple property owners fought this idea, fearing they would be assessed too heavily for these improvements.

When the promenade proposal met a dead end, Hezekiah proposed another idea whereby a series of “magnificent stone wharves and bulkheads” would line the waterfront. Sheds and other structures would occupy the wharves, and stone, fireproof warehouses would serve as retaining walls for the Heights. The Brooklyn Daily Eagle noted that this idea was also before its time.

Hezekiah Beers Pierrepont died in Brooklyn on August 11, 1838. Although his waterfront vision would soon become a reality, it would be ninety years before a pedigreed Brooklyn Heights cat started the ball rolling again on his vision for a public promenade.

Entrance to the Brooklyn Heights Promenade
Entrance to the Brooklyn Heights Promenade at Pierrepont Place and Montague Street.
Edgard Allan Poe and Caterina the cat at Poe Cottage in the Bronx
Caterina served as Poe’s muse while he lived at Poe Cottage in the Fordham section of the Bronx in the 1840s.

Many historians and fans of Edgar Allan Poe are no doubt familiar with Catarina, the cat who served as Poe’s muse while he was living in his old cottage in Fordham. But I bet you’d be hard-pressed to find many people, if any at all, who know about Jig or the other black cat of Poe Cottage.

Thanks to a lengthy article about the cottage in The New York Times in 1915, we do have proof that Jig lived in the famous Poe Cottage 70 years after the death of Caterina. An article in the Kansas City Star in 1905 also provides proof that at least one other black cat lived at the cottage.

Edgar Allan Poe, who spent many years in New York City in the 1830s and 1840s, was one of many writers of this period who received inspiration from a feline. Poe, who wrote “The Black Cat” in 1843, had at least two cats in his lifetime: one, a female he described as “one of the most remarkable black cats in the world,” and the other, a cat named Caterina who served as his muse while he was living in the Bronx.

Caterina, described as a large tortoiseshell cat, would often sit and purr on Poe’s shoulders as he wrote. She also served as a companion for Poe’s wife, Virginia, during the woman’s final years. Caterina would often lie in the bed with her to help keep her warm in the cold Fordham cottage.

Caterina in front of the Poe Cottage fireplace
Is this a depiction of Caterina in front of the Poe Cottage fireplace or was another cat living there in the 1890s?, New York Times, February 14, 1897

Sadly, Caterina’s tale does not have a happy ending: she report­edly died of starvation when Virginia’s mother, Maria Clemm (also Poe’s aunt), deserted the cat after Poe died in October 1849. But considering how many cats led deplorable lives in antebellum New York City, Caterina had a good life in the Bronx while Poe was alive and caring for her.

Poe Cottage: From Valentine to Victor

Poe Cottage, 1913
Poe Cottage as it looked when Jig the cat lived there, after it was moved into Poe Park in 1913.

The tiny cottage on Kingsbridge Road in Fordham was reportedly built in 1812 by John Wheeler on lands belonging to John B. Valentine, whose family, including the Cromwell family by marriage, owned large estates in the neighborhood.

Poe paid about $100 a year for the cottage, which had previously served as a field hands residence. The Valentines occupied a home across the way on present-day Briggs Avenue. The Valentine family often shared vegetables and milk with Poe and his family.

Valentine homestead, Fordham
The Valentine homestead in Fordham. New York Times, March 1906.

During the 19th century, the Poe Cottage had several owners. James Coles, a blacksmith, first purchased the cottage from the Valentine family. It was later owned by Henry Stony, John Berrian, and Phillip Duffey; Duffey also owned the old Fordham Hotel, beginning in 1854.

Fordham Hotel
Phillip Duffey, a one-time owner of Poe Cottage, also owned the Fordham Hotel on the corner of present-day Fordham Road and Webster Avenue, where Poe would sometimes stop to have a drink. 

In 1889, three years after a large auction, the land about Poe Cottage was laid out in building lots. William Fearing Gill, author of the book “The Life of Edgar Allan Poe,” purchased the cottage and surrounding lands to save it from destruction.

Gill sold the cottage to brothers Patrick and Charles Kary, who in turn sold the house at auction to Austin Ford (about 1890). Ford sold it to Dr. E. J. Chauvet, DDS, who saw the cottage as a good investment opportunity (for many years, he said he would not sell the cottage for anything less than $10,000).

The land around and including Poe Cottage was auctioned in 1886. NYPL digital collections.
The land (18 lots) around and including Poe Cottage (at top left) was auctioned in 1886. NYPL digital collections.

Dr. Chauvet, a dentist, built his own house near the cottage while renting Poe Cottage for a source of income. When the cottage had to be moved about 25 feet in 1896 to make room for the widening of Kingsbridge Road, it practically touched Chauvet’s own house.

One of Dr. Chauvet’s tenants was Mr. Healy, a stonecutter who lived in the cottage with his family when the cottage was smack next to Dr. Chauvet’s house (this may be Mr. Healy in the photo below).

One day in April 1905, while the Healys were living there, a reporter with camera in hand came looking for the cottage.

“Wait till I shoo that darned cat away,” a young boy told the reporter as he focused his camera on the tiny white cottage.

“Stop!” the reporter yelled, but the young buy chased the cat away, not having a clue why the reporter wanted the black cat to remain on the porch while he took the photo.

Poe Cottage and home of Dr. Chauvet, 1898
The Poe Cottage next to Dr. Chauvet’s house in 1898, two years after the cottage was moved for the widening of Kingsbridge Road.

In 1913, 11 years after New York City created Poe Park, the city acquired the cottage for $3,000. The city paid an additional $2,000 to move the house 450 feet north of its original location to the northeast corner of the new park, near the Grand Concourse and East 193rd Street.  

Orville Guy Victor was the won of Orville James Victor, a well-known author and editor of “dime novels.”

Upon acquiring the cottage, the city searched for a couple or small family who would be interested in keeping the cottage open to visitors and caring for it in lieu of rent. Oliver Guy Victor, a struggling poet who had advocated for the cottage’s removal to the park, jumped on the opportunity.

Orville, his wife, and their daughter, Marian, moved into Poe Cottage on November 5, 1913. Ten days later, the cottage was opened to the public. The small museum had few visitors at first, but by 1915, the Victors were receiving 60 to 75 visitors a day.

The Victor family lived in the upper rooms of the cottage. They also had access to the basement, which was added for their use. The basement contained the family’s kitchen, dining room, and pantry, and also included a modern furnace for a steam heating system.

One day in 1915, a visitor asked if the black cat walking about the museum was Poe’s cat. No, the Victors said, the cat was not a Poe cat nor the ghost of Caterina. He was the pet of the Victors, and his name was Jig. (Did the Victors bring the cat to the cottage, or could this have been the same cat that lived there with the Healy family in 1905?)

New York Times, August 29, 1915
New York Times, August 29, 1915
Mrs. Orville Guy Victor

Aside from this cameo appearance in The New York Times in August 1915, nothing else has been reported about Jig–at least nothing I can find. Perhaps, though, this black cat was also a muse for a poet.

Like Poe, Orville Victor was a struggling writer, and he often burned the candle at both ends to support his family. In January 1914 he suffered a nervous breakdown and was sent to a sanitarium on Long Island for 18 months.

During that time, Mrs. Victor became a champion for Poe, doing all she could to turn an empty cottage into a tribute to the poet who wrote “The Bells, “Annabel Lee,” the “The Cask of Amontillado” while living there.

Orville returned to the cottage in the spring of 1915. Working with the Bronx Society of Arts and Sciences, which was chiefly responsible for the purchase of the cottage and the creation of the park, he and his wife encouraged collectors of Poe memorabilia to lend their items to the museum. Poe’s rocking chair, bookcase, silverware, and other items began to fill Poe Cottage.

Poe’s cat, Caterina, had already crossed the rainbow decades before, but a cat named Fig took her place in the new Poe Cottage museum. The former home of Edgar Allan Poe was the perfect place for a black cat of Old New York.

Poe Cottage
Poe Cottage

Vintage dog and cat
This vintage photo is not Brownie and Flora, but for the sake of this story, let’s imagine this is the canine guardian and feline mouser of Brooklyn’s Pier 12.

Many old stories have been told of the Brooklyn-born canine and feline mascots that went to sea (like Peggy and Tom of the USS Maine, as an example), but this tale, which takes place at Pier 12 of the New York Dock Company, is about a landlubber dog and cat who patrolled the Brooklyn waterfront.

Brownie, aka Guardian of the Cats and Killer of the Rats, began his duties on the waterfront sometime around 1921. Although he patrolled many of the piers of the New York Dock Company, he was partial to Pier 12, which then served as the wharf for the Royal Netherlands Steamship Co.

(This steamship line, officially called the Koninklijke Nederlandsche Stoomboot Maats (KNSM), was founded in 1856 by a group of Dutch entrepreneurs. In 1888, it began service from Brooklyn to Haiti, Curacao, Venezuela, Trinidad, and the British and Dutch Guianas.)

During his reign, Brownie was said to be the only dog who patrolled along the waterfront. He had many accidents over the years, but apparently Brownie was like a cat in that he had several lives.

According to his owner, pier watchman Joe Santanelli, one time Brownie fell down a ship’s hatch and nearly broke his back. Another time he became wedged between two trucks and had to receive four stiches in his head. He also spent two weeks at the animal hospital after some scalding coffee accidentally spilled on him (he still bore the scars from that incident).

Even when he was an old dog in 1934, Brownie was still frisky, playful, and intelligent. His days consisted of jumping off the pier and bathing in the river, catching rats, sunning himself on the running boards of cars, and waiting in front of the ships’ galleys at high noon for handouts from the cooks who all knew and loved him.

The ship cooks were some of Brownie’s best friends, but he was also friends with more sailors, truckmen, and dock workers than anyone else in Brooklyn. His best friend, though, was Joe Santanelli. Every morning at 4:30, Brownie would sit by Pier 12 near the foot of Montague and Pierrepont Streets waiting for Joe to come to work.

Foot of Montague Street, near Pier 12, New York Dock Company, Brooklyn 1938
Every morning, Brownie would wait for his owner near Pier 12 at the foot of Montague and Pierrepont Streets, pictured here in 1938. NYPL Digital Collections

In 1933, Brownie made his first four-legged friend when a cat came walking down Pier 12 to meet Flora, one of the Royal Netherlands steamships. No cat had ever lived at Pier 12 before–probably because Brownie was always on guard–but the cat didn’t seem to mind the canine competition. The dock workers named her Flora.

For one year, Flora the cat never left Pier 12. She even gave birth to a few kittens there, including Blackie and Rosie (their father could have been any one of the six Tom cats that lived at the Red D piers adjacent to Pier 12). Flora, Blackie, and Rosie shared a bed with Brownie, and they all ate from the same food container. The cats and dog were also known as the best rat killers on the Brooklyn waterfront.

Red D Piers 9 and 10, between Pierrepont and Montague Streets
Pier 12 would be to the right.
Flora had at least one boyfriend that lived at the Red D Piers 9 and 10, between Pierrepont and Montague Streets, pictured here around 1930. NYPL Digital Collections
Brooklyn Daily Eagle, November 5, 1934
Brownie and Flora of Pier 12
Brooklyn Daily Eagle, November 5, 1934

In addition to Blackie and Rosie, who stayed at Pier 12 with their mother, Flora had several other kittens that moved on to other lives. One kitten reportedly moved into a “swanky apartment” on Riverside Drive in Manhattan. Two of her other kittens were lured by the sea and stowed away to the Caribbean aboard the Royal Netherland’s cargo ship Amor (hopefully they got off this ship before it sunk after striking a German mine in 1940).

One day in late October 1934, Flora, who was then pregnant again, stowed away on one of the Royal Netherlands ships. About a week later, poor Blackie and Rosie died of rat poisoning from the bodies of two poisoned rats.

Brooklyn waterfront, 1930
Brooklyn waterfront, New York Dock Company, 1930.

Brownie had adored Flora and her kittens, and according to Joe, he went into mourning after they were all gone. Not only did the cats help Brownie catch rats, Joe said, but they also made his life more interesting.

Joe told a reporter from the Brooklyn Daily Eagle that he and Brownie were actively searching for more cats to take the places of the departed.

With all the cats coming and going on the hundreds of ships at Pier 12 and all along the Brooklyn waterfront, I have a feeling they didn’t have to search for long. (Surely, there were a few landlubber cats that would be willing to share their duties with a kind dog.)

A Brief History of Pier 12 of the New York Dock Company

The New York Dock Company was a rail-marine terminal incorporated in July 1901, when it purchased the Brooklyn Wharf and Warehouse property from under foreclosure. The property of the dock company comprised close to three miles of waterfront, from the Brooklyn Bridge to the Erie Basin. In addition to 39 piers (which served about 19 different steamship lines), the property included more than 200 warehouses and three railroad terminals, as well as land under the water.

Map of the New York Dock Company, 1911
Map of the New York Dock Company, 1911. NYPL Digital Collections
Brooklyn Wharf and Warehouse Company

The Brooklyn Wharf and Warehouse Company was founded by a group of old monied men from the Heights, including Messrs. Pierrepont, Woodruff, Clinton, Dow, Robert, and Prentice. In the early 1800s, these men each owned a waterfront strip within walking distance of their homes, with fingertip piers for bathing, fishing, and pleasure boats. In later years, these families established stores, or warehouses, on their property. (During this time, the Heights referred to the bluff, not to the entire neighborhood.)

Hezekiah Beers Pierrepont, for example, kept a small boat at his pier, which he used to row himself to work in New York City every day. He accessed the pier via a set of stone steps along present-day Montague Street, which had once been a cow path and ditch on the old Robert Benson farm. These steps led from the Pierrepont mansion, aka The Four Chimneys, on the hill at today’s Montague Street and Pierrepont Place.

1880 map showing Pierrepont's Pier, later the site of Pier 12
1880 map showing Pierrepont’s Pier, later the site of Pier 12. Also shown are Pierrepont Stores and Prentice Stores, as well as the old Wall Street Ferry. By this time, Montague Street had been opened to the public, and the old Four Chimneys mansion had been demolished. NYPL Digital Collections
Foot of Montague Street, 1850
The Wall Street Ferry was at the foot of the cobblestoned Montague Street, which was once a private road owned by the Pierreponts that led directly to the Pierrepont mansion, The Four Chimneys. The Pierrepont Pier would have been just to the right of the ferry, and the Pierrepont Stores warehouse was across the street. The ferry closed in 1888. Museum of the City of New York.

In 1857, two of Hezekiah’s sons, Henry Evelyn and William Constable, established the Pierrepont Stores on what was then called Furman Street, a narrow, cavernous street that ran along the waterfront.

The Pierrepont Stores was described as “a United States bonded warehouse where ships’ freight was received and stored for the owners, insured by the government, until duties were paid.” The warehouse, like those of other prominent Heights’ families, was a major port of entry for products such as sugar and molasses from the Caribbean, Manilla, and other regions.

Around 1895, the Pierreponts and other families merged their stores (warehouses) into a trust called the Brooklyn Wharf and Warehouse Company. Several other commercial Brooklyn dock and warehouse companies, including the Atlantic Dock Company, also merged into the new company. The founders reportedly believed that one entity controlling all the shipping piers in Brooklyn was a sure bet. 

It was a bet they would all lose.

By the early 1900s, Pierrepont's Pier was Pier 12 of the New York Dock Company.
By 1907, Pierrepont’s Pier was the new Pier 12 and the old Pierrepont Stores was one of the many warehouses of the New York Dock Company. NYPL digital collections.

The primary business of the Brooklyn Wharf and Warehouse Company was handling grain shipments. Soon after the company formed, however, the trade in grain began to decline. This decline, combined with lower rail rates, brought about the demise of the company.

The New York Dock Company was organized and acquired all the holdings. Pier 12 was constructed in 1906-07 at a cost of $102,289. 

Furman and Montague Streets, 1929
Surrounded by the old warehouses and the Brooklyn Heights wall, Furman Street, pictured here near the foot of Montague Street in 1929, was dark and cavernous. The inland warehouses were demolished in the 1940s, and the street was replaced by the Brooklyn Queens Expressway in the 1950s. NYPL digital collections.

Sometime around 1956, the Port Authority of New York and New Jersey purchased two miles of Brooklyn waterfront from the New York Dock Company. This put in place an $85 million, seven-year development program–the greatest program of its kind ever undertaken in the New York-New Jersey Harbor–comprising the construction of 10 new piers, the rehabilitation of an existing pier, the construction of 3 new warehouses, and the improvement of 50 acres of upland area.

Under the Brooklyn-Port Authority marine terminal development plan, 25 of the existing obsolete piers, which were then up to 65 years old, were replaced with 10 wide, single-story, steel and concrete structures. The plan also replaced 44 narrow, deteriorated berths with 25 modern vessel berths.

In 1984, the Port Authority announced plans to sell the piers for commercial development. This announcement kickstarted interest and a reevaluation of the land’s value as a public resource. In 1998, after more than 10 years of grassroots movements, the Downtown Brooklyn Waterfront Local Development Corporation was created to lead a public planning process for what is now Brooklyn Bridge Park. 

Today, the old Pier 12, where Brownie and Flora once reigned as the waterfront’s greatest mousers, is now the site of Pier 3 of the Brooklyn Bridge Park. The pier opened as a park in 2018.

The Cat That Inspired the Brooklyn Heights Promenade

In one of my next posts, I will go into more detail about the Pierrepont family and farm, their Four Chimneys mansion (where George Washington established a signal tower), and a cat (or two) that inspired residents to push for the creation of the Brooklyn Heights Promenade. (Many human engineers liked to take credit for the promenade, but it was in fact a cat that got the ball rolling, so to speak.)

Brooklyn Bridge Park
Piers 3-5 of the Brooklyn Bridge Park. Google

CWA MUSE Medallion medal
CWA Muse Medallion Winner 2022

I am pleased and excited to announce that one of the three stories that I entered into the Cat Writers’ Association 2022 Communications Contest has won a prestigious Muse Medallion!

Each year, the CWA selects the best entries for a variety of categories and awards them with Certificates of Excellence. The highest-scoring Certificate-winning entry in each category receives a Muse Medallion.

For 2002, I won Certificates of Excellence for the three stories I submitted for the category “Written Article: Entertainment”:

Patches was a hero cat in December 1912 for saving five lives in a four-story building on West 31st Street.
Patches was a hero cat in December 1912 for saving five lives in a four-story building on West 31st Street.

My story about Bertha, Patches, Minnie, and other hero cats who saved the lives of humans and kittens in emergency situations was the winner! I will add my new Muse Medallion to the one I received in 2020 for my book, The Cat Men of Gotham.

I also want to give a quick and well-deserved shout-out to all the judges who volunteer their time every year to review the hundreds of entries for the CWA Communications Contest, to all the women who serve on the CWA board, and to all the sponsors that support the CWA and the Muse Medallion Awards.

Next year, I hope to convince the CWA to add a new and much-needed category to its Communications Contest: Cats in History. I do write my stories to entertain my readers, but I also write them to educate people about the role cats have played in the history of New York City. If they do add this category, you can be sure I will be submitting several articles for consideration of a 2023 Muse Medallion!